Reading Challenges For 2020

I always set myself more than one reading challenge per year. Some carry over from year to year, and some are new. Some are broad and some are themed. And in many cases, books read will help me meet more than one challenge. Here’s this year’s list.

TO BE READ CHALLENGE

In past years, the wonderful Roofbeam Reader has hosted a “To Be Read Challenge” with specific rules about posting, etc. He’s not hosting one this year, but I’m going to do a version of the challenge for myself without making it a separate post this year. The idea is to pick 12 books (plus 2 alternates in case you find yourself unable to finish a couple of your main choices) that have sat unread on your bookshelf for a year or more. Thus, books published in 2019 wouldn’t be eligible, nor would re-reads. I plan to come back to this post and add “date completed” for each book individually and for each series as a whole. Here are my 14 for 2020 (not listed in intended reading order):

1.       Tales of the City by Armistead Maupin

2.       No Longer at Ease by Chinua Achebe

3.       Logan’s Run by William F. Nolan and George Clayton Johnson

4.       A Diet of Treacle by Lawrence Block

5.       Shadowhouse Falls by Daniel Jose Older

6.       Greatheart Silver by Philip Jose Farmer - finished September 23, 2020

7.       Pirates of Venus by Edgar Rice Burroughs - finished January 22, 2020

8.      The Bad Seed by William March - finished October 30, 2020

9.    The Parable of the Sower by Octavia E. Butler - finished February 19, 2020

10.   Choke Hold by Christa Faust - finished March 29, 2020

11.   Trail of Lightning by Rebecca Roanhorse

12.   The Complete Persepolis by Marjane Satrapi

Alternate #1: The Mystery of the Sea by Bram Stoker

Alternate #2: Excalibur! by Gil Kane and John Jakes

366 SHORT STORIES CHALLENGE

Every year, I challenge myself to read one short story per day. Some years I keep the pace pretty well, and some years I fall behind and then scramble to catch up (and some years, I catch up and fall behind again). I used to post thoughts on each individual story over on my now-largely-defunct Livejournal; this year I plan to review a story or two in-depth each Sunday and then do a monthly “round-up” of all stories read that month. I’m defining “short story” as anything from flash fiction to novella-length. If a story/novella is published as a stand-alone book (ebook or otherwise), that story will also count towards my annual Goodreads “Books Read Challenge.” 2020 being a leap-year, the goal is 366 instead of the usual 365.

GOODREADS CHALLENGE

Goodreads allows members to set a challenge. In 2019, I set a goal of 125 books and actually read 144. For 2020, I’m setting the same goal of 125 to start with, and we’ll see what happens. Goodreads counts magazines and individually-published short stories as “books,” so I count them for this challenge as well. Of course, any book read for the TBR Challenge, or the other challenges mentioned in this post count towards this one.

GRAPHIC NOVEL CHALLENGE

I own far more graphic novels and trade paperback collections of classic comics than I’ve read. In 2017 I started trying to turn that around, and I’m again setting a goal in 2020 of reading one graphic novel per week, so 52 for the year, tracking them in the monthly Reading Round-Up Posts.

NON-FICTION CHALLENGE

As with graphic novels, I tend to get intrigued by and purchase far more non-fiction books than I actually end up reading. In an effort to clear some shelf-space, justify the money spent, and increase my knowledge a bit, I’m setting myself a new challenge this year to read two (2) non-fiction books per month, or 24 for the year, also tracked via the monthly Reading Round-Up posts.

READ THE BOOK / WATCH THE MOVIE CHALLENGE

I have so many books in my collection that are the basis for classic (and sometimes not-so-classic) movies that I thought it would be fun to read some of them and then see how the movies compare. In 2019, I didn’t do so well on this challenge, but I’m game to try again, and of course track them in the monthly Reading Round-Up posts.

COMPLETE THE SERIES CHALLENGE

In previous years I’ve challenged myself to come “up to date” on series I’d started but fallen behind on. Last year, I challenged myself to also read one series that I own but have not read. Titles that I have read in each series are indicated with (read). Last year, I blew this completely, so I’m repeating two of the challenges from last year, adding two (one that will be audio rather than print) for 2020.  I plan to come back to this post and add “date completed” for each book individually and for each series as a whole. If I complete any other series on my shelves, I’ll come back and add that series to this entry.

THE VELVETEEN SERIES by Seanan McGuire

1.       Velveteen Vs. The Junior Super-Patriots

2.       Velveteen Vs. The Multiverse

3.       Velveteen Vs. The Seasons

THE AFRICA TRILOGY BY Chinua Achebe

1.       Things Fall Apart – read in 2018

2.       Arrow of God - read in February 2020

3.       No Longer At Ease

CARSON OF VENUS by Edgar Rice Burroughs

1.       Pirates of Venus - read in January 2020

2.       Lost on Venus

3.       Carson of Venus

4.       Escape on Venus

5.       The Wizard of Venus

THE PHILIP MARLOWE SERIES (audiobook versions)

1.       The Big Sleep – listened to in November 2019

2.       Farewell, My Lovely – listened to in November 2019

3.       The High Window - listened to in January 2020

4.       The Lady in the Lake - listened to in January 2020

5.       The Little Sister - listened to in January 2020

6.       The Long Goodbye - listened to in April 2020

7.       Playback

8.       Poodle Springs (started by Chandler, completed by Robert B. Parker)

MONTHLY MINI-CHALLENGES

In 2019 for the first time I set myself some monthly mini-challenges based on various factors. I’m going to do it again in 2020, but list those challenges here as well:

January: No specific challenge (because I want to catch up on stuff from late 2019)

February: Authors from Africa or of African descent (for Black History Month)

March: Women Authors (for Women’s History Month)

April: Poetry (for National Poetry Month)

May:  Asian/Pacifican Authors (for Asian Pacific / South Asian Heritage Month)

June: Queer Authors (for Pride Month)

July: US and World History (because of Independence Day)

August: Classic and New Pulp Authors (because Pulpfest/Farmercon is held this month)

September: Hispanic authors (Hispanic Heritage Month)

October: Horror! Horror! Horror! (because Halloween, obviously)

November: Noir (because “Noirvember”)

December: Winter Holiday-related Fiction (Christmas, Hannukah, etc.)

Sunday Shorts: At The Bay

Sunday Shorts is a series where I blog about short fiction – from flash to novellas. For the time being, I’m sticking to prose, although it’s been suggested I could expand this feature to include single episodes of anthology television series like The Twilight Zone or individual stories/issues of anthology comics (like the 1970s DC horror or war anthology titles). So anything is possible. But for now, the focus is on short stories.

TITLE: At the Bay
AUTHOR: Katherine Mansfield
56 pages, Melville House Publishing, ISBN 9781612195834 (softcover)

DESCRIPTION: (from Goodreads): Told in thirteen parts, beginning early in the morning and ending at dusk, At the Bay captures both the Burnell family's intricate web of relatives and friends, and the dreamy, unassuming natural beauty of Crescent Bay.

MY RATING: 3 out of 5 stars

MY THOUGHTS: Yet another classic novella that I don’t remember being assigned to read. Mansfield packs a lot of characterization and social commentary into 56 or so pages. The focus is on the women in the Burnell family, both adults and children, and a small cross-section of their neighbors. How they interact, how they empower and disempower each other in everyday moments. There is no grand event the story builds toward, no community-threatening or -destroying big moment that ties everything together. We’re experiencing a day-in-the-life of a very specific group of women and girls at a specific moment in time (1922), but much of what the author relates, in terms of what is deemed appropriate behavior and the like, is still true today. The moments among the children (three girls and their two boy cousins) mirror the moments among the adult women.

Because the story is set on a week-day the men in the family are fairly peripheral, acting on the women mostly from afar rather than in-scene. The men clearly think they are the center of the universe (one, near the story’s end, is highly concerned that his wife’s day was totally ruined because he rushed out to work without saying goodbye.), and are pretty much oblivious (willfully, I think) to the details of how the women spend their day. Interestingly, Mansfield starts and ends the story with the men: the opening scene focuses on two men going for a swim as well as the movements of a local shepherd. The shepherd retraces his route near the end of the story, overlapping with one of the few moments where a man’s effect on one of the Burnell women is direct and in-scene rather than from afar.

Mansfield’s descriptions of the weather and the natural setting are just beautiful. The weather isn’t the focus of the story, so one might be tempted to take these descriptions as window-dressing and choose not to linger over the language. I also found it interesting that she personifies some of the animals (a cat, and the shepherd’s dog, have distinct personalities), and also that the one infant in the story is described the way the animals are – he’s given a bit of personality but remains nameless unlike the older children. Even nameless and speechless, the baby still comes across as as much of a burden/inconvenience to his mother as his father is.

I wasn’t as enamored of the vignette-style telling of the story as I was of what it had to say about culture and the treatment of women (both by men and by other women). It felt more disjointed than cohesive.

Reading Round-Up: December 2019

Continuing the monthly summaries of what I’ve been reading and writing.

BOOKS

To keep my numbers consistent with what I have listed on Goodreads, I count completed magazine issues and stand-alone short stories in e-book format as “books.” I read or listened to 13 books in December: 9 in print, 4 in e-book format, and 0 in audio. They were:

1.       Lightspeed Magazine #115 (December 2019 issue), edited by John Joseph Adams. The usual fine assortment of sf and fantasy short stories. This month’s favorites for me were T.L. Huchu’s “Njuzu,” Rick Wilber’s “Today Is Today,” Cat Rambo’s “The Silent Familiar,” and KT Bryski’s “The Path of Pins, The Path of Needles.”

2.       Faux Ho Ho by ‘Nathan Burgoine. Another wonderful holiday m/m romance novella from one of my favorite authors. This time, the story involves a fake relationship to appease nosy family members, and a gathering of conservative family members at a sibling’s Christmas wedding. The two leads are adorable (I may be crushing on Silas still, weeks after reading the book), the supporting cast wonderfully varied. Read my Full Review HERE.

3.       From Sea to Stormy Sea: 17 Paintings by Great American Artists and the Stories They Inspired edited by Lawrence Block. The paintings range from naturalist to abstract, the stories range from noir to science fiction. Favorites include Charles Ardai’s “Mother of Pearl,” Jerome Charyn’s “The Man From Hard Rock Mountain,” Janice Eidus’ “You’re A Walking Time Bomb,” Christa Faust’s “Garnets,” and Gary Phillips’ “A Matter of Options.”

4.       The Dead Girls Club, by Damien Angelica Walters. One of my most-anticipated books of the year came out in early December, and Walters did not disappoint. Time-jumping between the narrator’s present adult life and the summer when she was 12 and her best friend went missing, the story is a multi-layered supernatural mystery.

5.       Kolchak: The Last Temptation by Jim Beard. In this novella, Beard digs back into a mystery from the very first Kolchak TV movie and gives the reporter some closure. The story also involves investigating a charity organization called “Sons of the Morningstar,” so there’s some devilry afoot.

6.       Rawhide Kid: The Sensational Seven by Ron Zimmerman, Howard Chaykin, and more. The trade collection of the second Rawhide Kid mini-series from Marvel teams the character up with Annie Oakley, Doc Holliday, Billy the Kid, Red Wolf, Kid Colt and the Two-Gun Kid to rescue Wyatt and Morgan Earp. Tons of fun in the old West. Also pretty bloody.

7.       A Christmas Carol by Charles Dickens. My annual reread of the print edition signed for me by Dickens’ great-great-grandson was accompanied by a listen to the audiobook version narrated by Tom Baker. Baker struggles with some of the character voices, but as Scrooge and the Narrator he’s wonderful.

8.       Into Bones Like Oil by Kaaron Warren. A troubled woman checks into a seaside hotel that promises to help her sleep – but is also haunted by the ghosts of a shipwreck.

9.       A Family for Christmas by Jay Northcote. Another truly wonderful “fake relationship” gay Christmas romance, this one between an awkward young man and the somewhat anti-social coworker he takes home to his family for Christmas. Bonus cute kittens.

10.   Fearless by Seanan McGuire, Claire Roe, Rachelle Rosenberg (main story), various creators (backup stories). The trade collection of a four-issue mini-series from earlier this year with stories told completely by female creators. The main story involves Sue Storm, Captain Marvel, and Storm as guest-speakers as a science-based summer camp for girls which Ms. Marvel and a few teenage mutants are attending. One back-up pays tribute to the unsung female comics creators of the Golden and early Silver Ages.

11.   Lumberjanes Volume 13: Indoor Recess by Shannon Watters, Kat Leyh, Dozerdraws, Maarta Laiho, Aubrey Aiese. The Janes find themselves stuck in the dining hall during a particularly bad storm. Jo and Molly find themselves helping Athena Cabin with play-testing a new board game, while April, Mal and Ripley unexpectedly explore caverns underneath the camp.

12.   If Dragon’s Mass Eve Be Clear and Cold by Ken Scholes. A beautiful novelette that explores grief after the loss of a parent and why we continue to uphold traditions in which we no longer believe. Print edition also includes a prequel short story. Longer review HERE.

13.   Christmas with the Dead by Joe Lansdale. A fun short novelette about a guy just trying to get in the holiday mood after a zombie apocalypse.

STORIES

I have a goal of reading 365 short stories (1 per day, essentially, although it doesn’t always work out that way) each year. Here’s what I read this month and where you can find them if you’re interested in reading them too. If no source is noted, the story is from the same magazine or book as the story(ies) that precede(s) it:

1.       “A Bad Day in Utopia” by Matthew Baker, from Lightspeed Magazine #115 (December 2019 issue), edited by John Joseph Adams.

2.       “Njuzu” by T.L. Huchu

3.       “Motherhood” by Pat Murphy

4.       “Today is Today” by Rick Wilber

5.       “The Mocking Tower” by Daniel Abraham

6.       “End of the Sleeping Girls” by Molly Gutman

7.       “The Silent Familiar” by Cat Rambo

8.       “The Path of Pins, the Path of Needles” by KT Bryski

9.       “Help Wanted” by Seanan McGuire, on the author’s Patreon page.

10.   “The Eight People Who Murdered Me” by Gwendolyn Kiste, in Nightmare #86 (November 2019), edited by John Joseph Adams.

11.   “The Prairie Is My Garden” by Patti Abbott, from From Sea to Stormy Sea: 17 Paintings by Great American Artists and the Stories They Inspired, edited by Lawrence Block

12.   “Mother of Pearl” by Charles Ardai

13.   “Superficial Injuries” by Jen Burke

14.   “The Man From Hard Rock Mountain” by Jerome Charyn

15.   “Adrift Off the Diamond Sholes” by Brendan DuBois

16.   “You’re A Walking Time Bomb” by Janice Eidus

17.   “Garnets” by Christa Faust

18.   “He Came In Through the Bathroom Window” by Scott Frank

19.   “On Little Terry Road” by Tom Franklin

20.   “Someday, A Revolution” by Jane Hamilton

21.   “Riverfront” by Barry M. Malzberg

22.   “Silver at Lakeside” by Warren Moore

23.   “Get Him” by Micah Nathan

24.   “Baptism in Kansas” by Sara Paretsky

25.   “A Matter of Options” by Gary Phillips

26.   “Girl With An Axe” by John Sandford

27.   “The Way We See The World” by Lawrence Block

28.   “The Doom of Love in Small Spaces” by Ken Scholes, included in the print edition of If Dragon’s Mass Eve Be Cold and Clear.

So that’s 28 short stories in December. Slightly under “1 per day,” but still enough to keep me way ahead for the year so far. (December 30th was the 365th day of 2019.)

Summary of Reading Challenges:

“To Be Read” Challenge: This month: 0 read; YTD: 3 of 14 read.

365 Short Stories Challenge: This month:  28 read; YTD: 402 of 365 read.

Graphic Novels Challenge:  This month: 3 read; YTD: 35 of 52 read.

Goodreads Challenge: This month: 13 read; YTD: 144 of 125 read.

Non-Fiction Challenge: This month: 0; YTD: 5 of 24 read.

Read the Book / Watch the Movie Challenge: This month: 0; YTD: 0 of 10 read/watched.

Complete the Series Challenge: This month: 0 books read; YTD: 0 of 16 read.

                                                                Series fully completed: 0 of 3 planned

Monthly Special Challenge: I didn’t set a mini-goal of any kind for December, other than trying to get some recently-acquired books in before the end of the year. 11 of the 13 books read were books acquired in the past 3 months.

I’ll be posting a full 2019 Round-Up as soon as I’m able to crunch numbers and put it all together. Ditto a post about my Reading Challenges for 2020!

So You Got Bookstore Giftcards For The Holiday!

If you’re like me, you got a LOT of gift cards to various online, chain, or local bookstores and comics shops for the holidays. So I thought I’d offer up a list of books folks might like based on your interests. Some have been reviewed here, some have not. Links will be to publisher sites where possible, Goodreads pages otherwise. Support your local bookstores as much as you can!

And if you didn’t get bookstore gift cards for the holidays (what were your family thinking, really?), seek these out at your local library or convince them to order copies for their shelves!

If you’re a fan of:

The Beatles: you might like:

• Saint John Lennon by Roseanne Bottone and Daniel Hartwell.

Pulp/Adventure Fiction: you might like:

• Hunt The Avenger by Win Scott Eckert

• Kolchak: The Last Temptation by Jim Beard

• Greatheart Silver by Philip Jose Farmer

Horror, you might like:

• The Girl on the Porch by Richard Chizmar

• The Dead Girls Club by Damien Angelica Walters

•   Wylding Hall by Elizabeth Hand

• Occult Detective Magazine #6 (the latest issue)

Fantasy, you might like:

• Desdemona and the Deep by C.S.E. Cooney

• Upon A Burning Throne by Ashok K. Banker

• Creatures of Want and Ruin by Molly Tanzer

• Ormeshadow by Priya Sharma

Science Fiction, you might like:

• Trans Space Octopus Congregation by Bogi Takács

• Simon Says by Bryan Thomas Schmidt

• Pimp My Airship by Maurice Broaddus

• Absolution (The Serena Darkwoood Adventures #1) by Charles F. Millhouse

YA (Various Genres), you might like:

• Sal and Gabi Break the Universe by Carlos Hernandez

• The Usual Suspects by Maurice Broaddus

• The Gone Away Place by Christopher Barzak

• Exit Plans for Teenage Freaks by ‘Nathan Burgoine

Series to Read (various genres), you might like:

• Folley and Mallory by E. Catherine Tobler (steampunk, time travel, alternate history)

• Whyborne and Griffin by Jordan L. Hawk (Lovecraft Mythos, gay romance)

• The Frankenstein Series by Frank Schildiner (pulp adventure / horror)

• The Wayward Children books by Seanan McGuire (portal fantasy)

• The Tensorate Series by JY Yang (silkpunk fantasy)

I tried to concentrate on books/series that came out in 2019. This of course doesn’t scratch the surface. Hit me in the comments with YOUR favorite book published in 2019. Or your favorite book published earlier that you read for the first time in 2019! I’m always looking for suggestions!

Sunday Shorts: If Dragon's Mass Eve Be Cold and Clear

Sunday Shorts is a series where I blog about short fiction – from flash to novellas. For the time being, I’m sticking to prose, although it’s been suggested I could expand this feature to include single episodes of anthology television series like The Twilight Zone or individual stories/issues of anthology comics (like the 1970s DC horror or war anthology titles). So anything is possible. But for now, the focus is on short stories.

It’s been a few years since I’ve reread Ken Scholes’ “If Dragon’s Mass Eve Be Cold and Clear.” It was first published on Tor.com as their holiday story for 2011. It’s been newly released this year in a nice slim paperback edition from Fairwood Press, and as it is holiday-related, I thought it might be an appropriate final 2019 entry for Sunday Shorts.

This is the story of Melody Sheffleton-Farrelly (call her “Mel”), coping with the first Dragon’s Mass Eve without her father – which just so happens to also be the day of his death. Mel and her father lived on the outskirts of town, operating a dormant Hope mine. Neither were really believers anymore (Mel possibly never was) in the Santaman or the promise of Dragon’s Mass Eve. But they kept the traditions, minus going to church, going through Mel’s entire life.

The thing that struck me when I first read the story online and which still strikes me reading this print edition, is how well Scholes captures the effect a parent’s death has on the holidays. I lost my mother in 2005 (after spending her final Christmas with her, as Mel does with her father Drumm) and my father two years later, so the first time I read this story I had a few years’ remove from the loss. But I still recognized how Mel acts on that first Dragon’s Mass Eve without Drumm: at first, going through the motions, almost flying on autopilot reciting the Santaman Cycle (as she buries her father), then throwing traditions out as the emotional (and physical) exhaustion hits. A year later, she’s able to observe some of the traditions with fond memories of her father – and she’s also able to do things they never did on the holiday (I won’t spoil what those are here.) Healing from the loss of a parent happens at different speeds for all of us, and Scholes expertly shows that process over the course of the story.

Does it matter that Dragon’s Mass Eve is a holiday the author made up, with only winking nods to recognizable figures and stories? Not at all, because the effect is the same as if he were writing about Christmas, Hannukah, Kwanzaa, or Yule (or any non-Winter holiday that has adherent family traditions, for that matter). In fact, the effect may be stronger because the story doesn’t become bound up in one’s own experiences of any particular current holiday. We get a strong enough sense of the reason for the holiday and the historical/legendary underpinnings thanks to the sections of the Santaman Cycle interspersed throughout the story. The Cycle itself raises questions about the world Mel, her father, and their neighbors exist in: there’s enough we recognize (“Santaman,” and aspects of various Creation myths) to think this is possibly Earth long after some climate change cataclysm, but enough fantastical (Hope comes from mines; Love is a feral creature) to think it might be a completely fictional, or at the least alternate-Earth, world. Scholes has never weighed in conclusively on which it is, and ultimately it’s not as important a piece of knowledge as it might feel.

Mel has a really strong character arc, starting in grief/death and ending in hope/life. I don’t want to spoil any of the events that lead from the one to the other, so I won’t say much more. Just that the conclusion is satisfying and feels very true to the character we meet in the early pages and the child we meet through her own memories.

This story gives me so much to think about that I’m not sure why I haven’t long since made it a part of my Christmas reading tradition (which includes annual rereads of A Christmas Carol and others). I’ll rectify that going forward. I highly recommend seeking this one out. (I also hadn’t realized that Fairwood Press had started a Novelette Series, of which this is the latest volume. I’ve gone to their site and ordered all of the earlier entries and pre-ordered the next one, coming in 2020. I’ll do my best to do Sunday Shorts entries about all of them.)

Series Saturday: Nathaniel Dusk

This is a series about … well, series. I do so love stories that continue across volumes, in whatever form: linked short stories, novels, novellas, television, movies. I’ve already got a list of series I’ve recently read, re-read, watched, or re-watched that I plan to blog about. I might even, down the line, open myself up to letting other people suggest titles I should read/watch and then comment on.

At least once a year, I Tweet at DC Comics about what older, now defunct, series they should collect in bound (softcover, hardcover, whatever works) editions. Somewhere at the top of that list pretty much every time are two long-out-of-print series: Nathaniel Dusk Private Investigator, and Silverblade. We’ll get to Silverblade in a future installment. Today, I want to wax poetic about Nathaniel Dusk.

Nathaniel Dusk appeared in two eponymous four-issue mini-series from DC. The first, Nathaniel Dusk Private Investigator (subtitled “Lovers Die at Dusk”) was published with cover-dates of February to May, 1984. The second, Nathaniel Dusk Private Investigator II: Apple Peddlers Die at Noon, was cover-dated October 1985 to January 1986. And that was it. Other than a profile in DC’s Who’s Who in the DC Universe, and a quick cameo in an unusual issue of Lobo, Dusk hasn’t been seen again. (He apparently shows up as a movie character played by an actor in the recent Doomsday Clock maxi-series from DC, but I haven’t read that yet.)

Dusk should be a much more well-known character than he is. That he’s somewhat faded into obscurity to me feels like a crime (although not the type of crime ol’ Nate himself would investigate. Not enough blood or bullets in it). He should be up there with Philip Marlowe, Sam Spade, and Mike Hammer. He’s of their ilk, created in homage but not slavishly so (definitely not as violent as Hammer, although they inhabit the same streets only a decade or so apart). He’s got his own history, his own character, and thanks to Gene Colan, his own distinct look. But the publishing gods were not kind. Despite the powers-that-be at DC backing the idea for two mini-series, Dusk just never took off well enough to come back for a third round. Would it have been different if the book had been launched as an on-going title from the start, without that year-plus gap between the two minis? We’ll never know.

Created by Don McGregor and based at least in part on Robert Culp in his “I Spy” days, Dusk is a private investigator (a “peeper,” as several characters call him throughout the books) in 1930s New York City. He’s a former World War One flying ace, a former NYC cop who couldn’t stomach the shadier side of the NYPD and so struck out on his own as a PI. He’s still got a good relationship with his former partner in the detective squad, Murray Abrahams, but we never really get to see how he is with the other cops he used to work with. Dusk is disgruntled but not totally world-weary. He may not like People as a herd, but he likes individual persons well enough. Of course, it’s his job to be cautious, to question everything – although sometimes, as these things go, he asks the right question too late. Which tells us he’s not perfect. I like my heroes on the fallible side, so it’s no surprise I really like Nathaniel.

The books are peopled with supporting characters you want to care and know more about because Dusk clearly cares about them: Oscar Flam, the local newsstand operator has a paralyzed young son; Freddie Bickenhacker, the shoe-shine guy is a former Wall Street biggie who lost it all in the stock market crash and believes he’ll work his way back up. Dusk is dating a young widower, Joyce Gulino, with two young kids, Jennie and Anthony, with whom Dusk has a playfully adversarial relationship. Throughout the two books, Dusk is also surrounded by strong women who know what they want and who will do whatever it takes to protect the people they love. Sometimes this backfires on them (it is noir, after all) but not always. There are also mobsters a plenty at the heart of each story, because what is New York or Atlantic City or Chicago in the 30s without gangsters. (I’d like to think that if there’d been a third mini-series, McGregor would have varied things up a bit.) This is a well-developed world, grounded in the reality of 1934-35 NYC: in one of the issue’s essays, McGregor gives a taste of the level of research he did to keep things as accurate as possible.

At the time these books came out, first person narration captions were not the prevalent storytelling mode in comics that they are now. Most of the other books published at this time from the Big Two still had omniscient narrator captions that allowed the action to jump away from the main character and back again, with the hero’s thoughts relegated to balloons. Dusk narrates the entire story himself (the same way Marlowe would: poetic turns of phrase here, quippy wordplay there, a bit of navel-gazing introspection usually at just the wrong moment) – there are no cut scenes to give the readers information Dusk lacks, which makes for a pair of very fair-play mysteries for the reader. The clues are there to be followed, sometimes in what characters say and sometimes in their physicality.

And if that’s not a segue to talk about the art, nothing is. Both mini-series were shot directly from Gene Colan’s uninked pencils and then those stats were colored. The process was, I think, fairly experimental at the time of the first mini-series, but the results are much sharper in the second. (Folks more knowledgeable about the history of this process, feel free to chime in in the comments.) Either way, what we gets is a sense of the fluidity of Colan’s artwork that was sometimes lost depending on who was providing the ink work (Tom Palmer over Colan on Marvel’s Tomb of Dracula was a one-of-a-kind pairing that brought out the best in both artists, in my opinion). Colan understood the hard-boiled detective genre as well as McGregor did, and he knew how to make it work in comics form. He gets across the danger and the high speed chases but also the grit of NYC in winter and summer (two very different feelings) and the romance/sexual tension that is part and parcel of these stories. And the lack of inks allows colorist Tom Ziuko to do some really amazing work.  Sometimes the colors are more muted, sometimes they pop at the eye. There are sequences washed entirely in grey tones for memories, for blinding rainstorms. (Interestingly, the covers of the first mini-series are all inked: 1, 3, and 4 by Dick Giordano, #2 by Bob Smith, and they convey a very different tone from the more pulp-influenced uninked-but-colored covers of the second mini-series.)

It would be great to see a new Nathaniel Dusk book hit the stands. The character is perfect for Hard Case Crime’s line of novels and comics, and they seem to be having some success bringing Max Allan Collins and Terry Beatty’s Ms. Tree back into print. Sadly, I think the rights to Nathaniel Dusk are owned by DC. Even more sadly, Gene Colan left us in 2011, and I’m not sure I’d want to see Nathaniel drawn by anyone else.

But the least DC can do is give us a nice hardcover Nathaniel Dusk The Complete Series to sit on our shelves alongside the Marv Wolfman – Gene Colan Night Force The Complete Series they gave us last year. (And a Cary Bates – Gene Colan Silverblade to go with that, a voice whispers – but that’s a different Series Saturday post).

Reading Round-Up: November 2019

Continuing the monthly summaries of what I’ve been reading and writing.

BOOKS

To keep my numbers consistent with what I have listed on Goodreads, I count completed magazine issues and stand-alone short stories in e-book format as “books.” I read or listened to 13 books in November: 8 in print, 2 in e-book format, and 3 in audio. They were:

1.       Lightspeed Magazine #114 (November 2019 issue), edited by John Joseph Adams. The usual fine assortment of sf and fantasy short stories. This month’s favorites for me were Matthew Bright’s “The Concubine’s Heart,” Theodora Goss’s “A Country Called Winter,” Melissa Marr’s “Knee Deep in the Sea,” and Ken Liu’s “The Hidden Girl.”

2.       Lucky at Cards by Lawrence Block. Lawrence Block wrote under a lot of psuedonyms, and Hard Case Crime has over the years reissued many of those books under Block’s actual name. This was one of their earliest. It’s a pretty straight-forward grifter story, about a card sharp who falls for a femme fatale, and it’s a fast-paced good time with several neat twists.

3.       Astro City Volume 17: Aftermaths by Kurt Busiek, Brent Anderson, and others. The final Astro City trade collection, as the monthly series reaches its end, covers some unanswered questions and side-characters from earlier in the run, and even loops us back to one of the earliest, and most emotional resonant, AC stories. The title will continue as Original Graphic Novels, and I’m happy for that. It might be time for a complete series re-read.

4.       The Big Sleep (Philip Marlowe Cases #1), by Raymond Chandler. I have never read a Philip Marlowe novel before this month. There, I admitted it in public. So with so much driving to do this month, I decided to finally change that. I can now say I see what all the fuss is about. The Big Sleep, especially as read by Ray Porter, IS noir and sets the standard.

5.       Ms. Tree Volume 1: One Mean Mother by Max Allan Collins, Terry Beatty and others.  And from there to more modern noir. I read quite a few Ms. Tree comics back in the day, but not the stories collected here. Ms. Tree is Marlowe’s match, for sure, just in a more recent time period. Beatty’s smooth lines keep the story both focused and active. And there’s a long unreprinted prose story at the back as an added bonus.

6.       More Than a Vintage Death by Dennis R. Miller. The start of a new adventure/thriller series (I hope) about vintage paperback collector Alec Knight and his retired FBI friend Ravi Khan going up against a dark secret society. You can read my Full Review HERE.

7.       Farewell, My Lovely (Philip Marlowe Cases #2), by Raymond Chandler. The second Philip Marlowe adventure, also narrated by Ray Porter, dives a bit deeper into the first-person narrator introspection than The Big Sleep did, and really cements these books as the foundations of noir.

8.       Eridani’s Crown by Alex Shvartsman. A new epic fantasy from an author usually known for his comedic fantasy and SF. This one deals with prophecy, revenge, and honor. A longer review will be appearing on Strange Horizons sometime in January.

9.       Carmilla by J. Sheridan leFanu. Another classic I’ve left unread for far too long. I listened to the full cast production with David Tennant as Doctor Hesselius. A very enjoyable listen during a dark, snowy/rainy drive. I can see why the story make so many writers want to play with the characters and their family trees.

10.   Hawkman Volume 1: Awakening by Robert Venditti, Bryan Hitch, and more. Hawkman is one of those DC characters whose history has been rewritten multiple times since the late 1980s (after DC’s Crisis on Infinite Earths combined all Earths into one Earth for a couple of decades). Venditti and Hitch are the latest creators to try to make sense of that muddled history and make it all work together, and so far I like what they’re doing. Extra points for going out of their way, in the first storyline, to reunite Hawkman with possibly his best friend in the Silver Age Justice Society, the Atom (Ray Palmer). Their banter really rang true to this long-time fan.

11.   Magic Order, by Mark Millar, Olivier Coipel and more. Netflix is moving into comics production (I guess the theory is certain properties will then move into the live action or animated series realm). This one riffs on comics’ magical super-heroes: a top-hatted stage magician, his equally-abled children, and their peers (including mysterious librarians and ancient folks who hide as plain mortals) take on a former friend turned foe. Coipel’s art is evocative and shadowy, as befits such a series.

12.   Snagglepuss Chronicles by Mark Russell, Mike Feehan, and others. I’d heard good things about this controversial reinvention of Snagglepuss, Huckleberry Hound, Quick Draw McGraw, Augie Doggie, and Peter Potomus, and I’m glad I finally read it. Russell gets the history down-pat (and acknowledges in end-notes where he fudges things a little for storyline sake). Feehan’s art walks that tough line of incorporated anthropomorphized animals with human characters and makes it work. This is not a “funny animal” book but a look at a dark period in our history via reimagined versions of childhood favorites.

13.   Fence Volume 3 by C. S. Pacat, Johanna the Mad, Joana LaFuente, and others. The third trade collection of the BOOM! Monthly comic finally answers the question of who will make it onto the King’s Row Prep School fencing team. I’m really enjoying these characters and was happy to hear that even though the monthly comic has been cancelled, the series will continue in Original Graphic Novels. Because I really want to know if Nick and Seiji are going to go from enemies to teammates to friends to more.

STORIES

I have a goal of reading 365 short stories (1 per day, essentially, although it doesn’t always work out that way) each year. Here’s what I read this month and where you can find them if you’re interested in reading them too. If no source is noted, the story is from the same magazine or book as the story(ies) that precede(s) it:

1.       “The Concubine’s Heart” by Matthew Bright, from Lightspeed Magazine #114 (November 2019 issue), edited by John Joseph Adams.

2.       “Her Appetite, His Heart” by Domenica Phettleplace

3.       “Overburden” by Genevieve Valentine

4.       “Eros Pratfalled, Or, Adrift in the Cosmos With Lasagna and Mary Steenburgen” by Adam-Troy Castro

5.       “The Second-Last Client” by Yoon Hal Lee

6.       “A Country Called Winter” by Theodora Goss

7.       “Knee Deep in the Sea” by Melissa Marr

8.       “The Hidden Girl” by Ken Liu

9.       “Winter Sunshine” by Seanan McGuire, on the author’s Patreon page.

10.   “Inconvenience Store” by Max Allan Collins, prose short story included in the Ms. Tree graphic novel collection One Mean Mother.

So that’s 10 short stories in November. Well under “1 per day,” but still enough to keep me way ahead for the year so far. (November 30th was the 334th day of 2019.)

Summary of Reading Challenges:

“To Be Read” Challenge: This month: 0 read; YTD: 3 of 14 read.

365 Short Stories Challenge: This month:  10 read; YTD: 374 of 365 read.

Graphic Novels Challenge:  This month: 6 read; YTD: 32 of 52 read.

Goodreads Challenge: This month: 13 read; YTD: 131 of 125 read.

Non-Fiction Challenge: This month: 0; YTD: 5 of 24 read.

Read the Book / Watch the Movie Challenge: This month: 0; YTD: 0 of 10 read/watched.

Complete the Series Challenge: This month: 0 books read; YTD: 0 of 16 read.

                                                                Series fully completed: 0 of 3 planned

Monthly Special Challenge: I may not do something like this every month but November’s mini-goal was crime/mystery/noir because November is “Noirvember.” I did okay with this one: 5 of the titles I read I would count as some combination of crime, mystery, and/or noir (and 1 of the 10 short stories I read counts as well).

I’m forgoing a mini-challenge for December. I’m hoping to read some stuff I’ve recently acquired (in the past few months) that I haven’t had a chance to get to.

Sunday Shorts: The Horla

Sunday Shorts is a series where I blog about short fiction – from flash to novellas. For the time being, I’m sticking to prose, although it’s been suggested I could expand this feature to include single episodes of anthology television series like The Twilight Zone or individual stories/issues of anthology comics (like the 1970s DC horror or war anthology titles). So anything is possible. But for now, the focus is on short stories.

TITLE: The Horla
AUTHOR: Guy de Maupassant
79 pages, Melville House Publishing, ISBN 9780976140740 (softcover)

DESCRIPTION: (from Goodreads): This chilling tale of one man’s descent into madness was published shortly before the author was institutionalized for insanity, and so The Horla has inevitably been seen as informed by Guy de Maupassant’s mental illness. While such speculation is murky, it is clear that de Maupassant—hailed alongside Chekhov as father of the short story—was at the peak of his powers in this innovative precursor of first-person psychological fiction. Indeed, he worked for years on The Horla’s themes and form, first drafting it as “Letter from a Madman,” then telling it from a doctor’s point of view, before finally releasing the terrified protagonist to speak for himself in its devastating final version. In a brilliant new translation, all three versions appear here as a single volume for the first time.

MY RATING: 5 out of 5 stars

MY THOUGHTS: Guy de Maupassant’s The Horla is another horror classic I should have read long ago, but if it was ever assigned in high school or college I have no memory of it. Considering it reads similar to my favorite Edgar Allen Poe stories (“The Cask of Amontillado” and “The Tell-Tale Heart”), I would hope I’d have remembered reading it before now. It’s a study of a man slowly descending into insanity while the reader watches, and as with Poe, the signs of the narrator’s madness are evident to the reader early on even though the main character remains somewhat unaware until it’s too late. However, this story differs from my favorite Poe stories in that de Maupassant’s narrator is not revenge- or guilt-driven; there may be an actual external cause, an actual supernatural entity possessing his home. The evidence for this presented in first person by journal entries could be authentic or could completely be in the main character’s mind. If the latter, the final events of the story are even more tragic.

What’s interesting about this Melville House re-issue is the inclusion of two earlier versions of the story. “Letter From A Madman” puts the narrator’s words in the form of a short letter to a doctor. The feel is less growing paranoia and more direct. In the alternate version of the story also titled “The Horla,” the protagonist tells his story to a board of doctors. The level of tension is somewhere between the well-known journal version and the letter version.

Each version has its positives (“Letter,” for instance, would make a great actor’s monologue, while the “board of doctors” version could easily be adapted and performed by an old-style radio troupe like Leonard Nimoy’s Alien Voices group) but the more well-known journal-entry version is the most compelling and involving of the three.

Series Saturday: Whyborne & Griffin

Series Saturday is a series about … well, series. I do so love stories that continue across volumes, in whatever form: linked short stories, novels, novellas, television, movies. I’ve already got a list of series I’ve recently read, re-read, watched, or re-watched that I plan to blog about. I might even, down the line, open myself up to letting other people suggest titles I should read/watch and then comment on.

Two book series that I absolutely love for their detailed genre-mashup world-building and strong character development came to an end in 2019. The first was E.Catherine Tobler’s 6-book Folley & Mallory series, which I discussed in last week’s Series Saturday post. The other is Jordan L. Hawk’s 11-book Whyborne & Griffin series.

The Whyborne & Griffin series mashes up Lovecraftian Mythos with urban fantasy and three different romance sub-genres: historical, paranormal, and m/m. The setting is late 1800s New England (the town of Widdershins, north of Boston); the title characters are a socially-awkward museum professor (Percival Endicott Whyborne, late of Miskatonic University) and a retired Pinkerton Detective who has moved to town to work as a private investigator (Griffin Flaherty, late of Chicago and before that the rural Midwest). Opposites immediately attract but their meet-cute is complicated in the first book, Widdershins, by murder, theft, and supernatural shenanigans that involve not only both men’s personal histories but the history of the town of Widdershins itself.

Whyborne and Griffin are endearing first-person narrators throughout the run of the series. It’s fun, if sometimes frustrating, to witness relationship, and other, misunderstandings from both characters’ POV. (This is something Hawk excels at and employs to good use in his Spirits and Hexworld series as well.) The reader often has a clearer idea of what’s really going on than either of the characters do, which I actually enjoy provided the characters eventually come to the same realizations the reader has. And they usually do, although often it’s slightly too late in terms of the dangers being faced. (I should note: I don’t always expect the story to go where I think it should go; that’s different from the characters realizing things the other characters and reader have already been made aware of. Hawk often surprises me with plot twists I didn’t see coming but which make perfect sense in retrospect.) Their relationship grows and deepens across the eleven books and several adjacent short stories and novellas in the series.

They also have a wonderful primary supporting cast that grows as the series progresses. From the very beginning, Whyborne’s Egyptologist coworker Doctor Christine Putnam is involved in the action. Strong-willed, fighting the attitudes towards professional women endemic to the time-period, Christine is as compelling a character as the leads and gets her own character arc that also eventually includes romance with an adventurer named Iskander. Whyborne’s family is often front-and-center in the action, and often at odds with our heroes (particularly his father Niles and older brother Stanhope). Griffin’s estranged adoptive and birth families come into the action eventually, as do Whyborne’s distant relatives on his mother’s side of the family tree. There’s also a fun set of tertiary characters who add color and a sense of life in Widdershins: Whyborne and Christine’s fellow staff at the Ladysmith Museum, the local undertaker and police force, and the Librarians at the Museum, who have a distinct devotion not only to the city of Widdershins but to Whyborne.

Hawk is faithful to the Mythos genre in general, capturing the tone of Lovecraft/Derleth/et al without being slavish to those authors’ penchant for florid descriptiveness. And as befits a series such as this, the Mythos elements are not only prevalent, they build on each other and become more important as the series approaches its apocalypse-level finale. Hawk also adds to the Mythos, spinning some new creatures and twists on old favorites into the mix to keep things fresh. (The author has also posted a list on his Patreon of the Lovecraft stories that influenced/inspired the various books in this series.)

Likewise, Hawk is faithful to the primary tenet of the urban fantasy genre: Widdershins itself is as much of a character as Whyborne and Griffin and their supporting cast. From the very start of the first book, the city’s layout and history are important to the storyline as opposed to being just the place events occur. But the series avoids the inherent claustrophobia of the setting by occasionally veering outside the city. Trips to the mining town of Threshold in Appalachia, Alaska, Egypt, a rural Kansas farming town called Fallow, and coastal England build on the core mythology and present new and growing challenges for the characters that eventually follow them back home to Widdershins. Each of the remote locations is as well-developed as Widdershins.

I feel like I should also mention that most of the books and stories in the series have one or more explicit sex scenes. Readers who don’t like erotica may be caught surprised when they encounter such scenes. I also feel like I should mention that they are very easily skipped over if one doesn’t enjoy reading such material; in fact, as the series progressed I found myself only skimming the sex scenes. They do include little bits of character development (for instance, Whyborne becoming a little less “vanilla” as his confidence in their relationship grows) but nothing that can’t be gleaned from the rest of the scenes in the book.

The Whyborne and Griffin series includes:

·         Widdershins

·         “Eidolon” (short story)

·         Threshold

·         Stormhaven

·         “Carousel” (short story)

·         “Remnant” (short story crossover with KJ Charles’ Simon Feximal series)

·         Necropolis

·         Bloodline

·         Hoarfrost

·         Maelstrom

·         Fallow

·         Undertow (novella)

·         Draakenwood

·         Balefire

·         Deosil

(The link leads to the author’s website, which includes purchase options.)

Although the Whyborne & Griffin series has concluded, Hawk has announced a spin-off series centering on the Widdershins Librarians. I’m excited to see other aspects of the town and its history being explored.

READING ROUND-UP: October, 2019

Better late than never! Continuing the monthly summaries of what I’ve been reading and writing.

BOOKS

To keep my numbers consistent with what I have listed on Goodreads, I count completed magazine issues and stand-alone short stories in e-book format as “books.” I read or listened to 15 books in September: 10 in print, 3 in e-book format, and 2 in audio. They were:

1.       Lightspeed Magazine #113 (October 2019 issue), edited by John Joseph Adams. The usual fine assortment of sf and fantasy short stories. This month’s favorites for me were Isabel Yap’s “Windrose in Scarlet,” Ray Nayler’s “The Death of Fire Station 10,” and Sam J. Miller’s “The Beasts We Want To Be.”

2.       Shadow of Doubt by Linda Poitevin. I love Poitevin’s “Grigori Legacy” urban fantasy series. She writes equally fun and compelling romantic thrillers. This one is about a local Canadian cop who falls in with an on-the-run US customs agent to solve who framed him and why.

3.       Simon Says (John Simon Thrillers #1) by Bryan Thomas Schmidt. Schmidt’s new near-future police procedural thriller is a fun ride full of car chases, gun fights, and solid character development. Read my longer review HERE.

4.       Tomb of Dracula: The Complete Collection Volume 1, by Marv Wolfman, Gene Colan, Tom Palmer and more. Tomb of Dracula is my favorite horror comic of all time, and possibly my favorite comic overall. Despite a rotating group of writers and artists, the early issues collected here set the stage for the great character developments that would come later. And for the first time, I think, the black-and-white Dracula Lives! Magazine stories are folded in close to publication order.

5.       The Girl on the Porch by Richard Chizmar.  A really compelling horror novel about a family dealing with the possibility that a missing girl rang their doorbell in the middle of the night and then disappeared again. High tension throughout.

6.       The Horla by Guy de Maupassant. Melville House’s re-issue of the horror classic includes two earlier versions of the story written by the author. An excellent study in how an idea develops in different iterations.

7.       Tomb of Dracula: The Complete Collection Volume 2, by Marv Wolfman, Gene Colan, Tom Palmer and more. Continuing the reprints of both the color Tomb of Dracula comic and the black-and-white Dracula Lives! Magazine.

8.       Deosil (Whyborne & Griffin #11) by Jordan L. Hawk. Another series I’m sad to see end with this installment. Hawk’s blending of Lovecraftian horror with gay paranormal historical romance has been pitch-perfect throughout the run, and this final volume wraps up all the major and supporting plots satisfactorily.

9.       Rosemary and Rue (Tenth Anniversary Edition) by Seanan McGuire. My first re-read of the very first October Daye installment proved to me just how much of the series McGuire had planned from the beginning. Almost every chapter has some wink or nod towards things that will be revealed later on. There’s also a new novella at the back of this hardcover re-release, in which we finally get to see how Toby became a Knight in the service of Sylvester Torquill and how she found the Queen’s new Knowe, both events having occurred before the events of this first novel.

10.   Wylding Hall by Elizabeth Hand. A perfect novella for the Halloween season: the story of a band and the haunted house they spend a summer in, told in a “Behind the Music” talking heads documentary style. I can’t believe this one hasn’t been adapted to movie form given the obvious overlap of music and the supernatural. I just realized there’s a multi-reader audiobook version that I’ll be listening to as soon as possible.

11.   Tomb of Dracula: The Complete Collection Volume 3, by Marv Wolfman, Gene Colan, Tom Palmer and more. Continuing the reprints of both the color Tomb of Dracula comic and the black-and-white Dracula Lives! Magazine.

12.   Come Tumbling Down (Wayward Children #5) by Seanan McGuire. McGuire returns to the Portal world of the Moors in a story that builds on elements from the first and second books in the series. The Moors is my favorite of the Portal worlds the author has created for this series, and I was not disappointed to return there. I read an ARC. The book is due out in early January 2020. My Full Review HERE.

13.   Absolution (Serena Darkwood Adventures #1) by Charles F.  Millhouse. This is a really enjoyable new “dirty SF” book – meaning we get immersed in the criminal underbelly of this new interstellar world Millhouse has created. The main characters are engaging, the alien races intriguing, and the audiobook a fun listen. Looking forward to more of Serena’s adventures.

14.   Songs of Giants by Mark Wheatley. Editor Mark Wheatley gathers a variety of poems written by Edgar Rice Burroughs, Robert E. Howard and H.P. Lovecraft for various pulp magazines and adds his own original and stunning artwork that brings the poems to life.

15.   A Night in the Lonesome October by Roger Zelazny. My annual re-read of the battle between Openers and Closers for the fate of the world, narrated by a demon in dog form who becomes best friend with a cat. Featuring a lot of recognizable horror and mystery characters. Just a fun read, and I always pick up on a new or somehow forgotten detail.

STORIES

I have a goal of reading 365 short stories (1 per day, essentially, although it doesn’t always work out that way) each year. Here’s what I read this month and where you can find them if you’re interested in reading them too. If no source is noted, the story is from the same magazine or book as the story(ies) that precede(s) it:

1.       “The Beasts We Want to Be” by Sam J. Miller, from Lightspeed Magazine #113 (October 2019 issue), edited by John Joseph Adams.

2.       “Nesting Habits of Enceladen Beetles” by Eli Brown

3.       “Revival” by WC Dunlap

4.       “The Death of Fire Station 10” by Ray Nayler

5.       “The Valley of the Wounded Deer” by E. Lily Yu

6.       “<<Legendaire.>>” by Kai Ashante Wilson

7.       “Windrose in Scarlet” by Isabel Yap

8.       “The Words of Our Enemies, The Wards of Our Hearts” by Merc Fenn Wolfmoor

9.       “Take The Shot” by Seanan McGuire, on the author’s Patreon page.

10.   “Strangers in Court” by Seanan McGuire, included in the hardcover 10th Anniversary edition of Rosemary and Rue.

11.   “On Full Moon Nights” by Idza Luhumyo, from The Dark #53, October 2019, edited by Silva Moreno-Garcia

12.   “Every Exquisite Thing” by Lynda E. Rucker

13.   “Authentic Zombies of the Caribbean” by Ana Maria Shua, translated by Andrea G. Labinger

14.   “The Demon L” by Carly Holmes

15.   “The Maw” by Nathan Ballingrud, from Nightmare #85, October 2019, edited by John Joseph Adams

16.   “Some Kind of Blood-Soaked Future” by Carlie St. George

So that’s 16 short stories in October, keeping me way ahead for the year so far. (October 30th was the 303rd day of 2019.)

Summary of Reading Challenges:

“To Be Read” Challenge: This month: 0 read; YTD: 3 of 14 read.

365 Short Stories Challenge: This month:  16 read; YTD: 364 of 365 read.

Graphic Novels Challenge:  This month: 3 read; YTD: 26 of 52 read.

Goodreads Challenge: This month: 15 read; YTD: 118 of 125 read.

Non-Fiction Challenge: This month: 0; YTD: 5 of 24 read.

Read the Book / Watch the Movie Challenge: This month: 0; YTD: 0 of 10 read/watched.

Complete the Series Challenge: This month: 0 books read; YTD: 0 of 16 read.

                                                                Series fully completed: 0 of 3 planned

Monthly Special Challenge: I may not do something like this every month but October’s mini-goal was Horror, Horror, Horror!. I did pretty well: 7 of the titles I read I would count as part of the horror genre (possibly 8, as the Whyborne and Griffin series, while technically paranormal historical romance, has Lovecraftian horror elements to it).

November’s mini-goal of course is: Crime/Mystery/Noir because it is Noirvember!