READING ROUND-UP: June 2024

A little late in the month, here’s what I read, listened to, and watched in June 2024!

BOOKS

I read 9 books in June: 4 in print, 4 in e-book format, and 1 in audio format. They were:

1.       Next of Kin (Stardust and Ashes Book 1) by Melinda Mitchell (PRINT, Sparta Books Book Club pick)

2.       Losing Hit Points by Kristopher Mielke (E-BOOK)

3.       The Unwanted by Jeffrey Ricker (E-BOOK, To Be Read Challenge)

4.       Fever by Jordan L. Hawk (E-BOOK)

5.       The Deep Dark by Molly Knox Ostertag (PRINT, Graphic Novel Challenge)

6.       You Like It Darker: Stories by Stephen King (PRINT)

7.       Captain Kid Volume 1 by Mark Waid, Tom Peyer, Wilfredo Torres, Kelly Fitzpatrick, and A Larger World (PRINT, Graphic Novel Challenge)

8.       Pangs by Jerry Wheeler (E-BOOK, To Be Read Challenge)

9.       Indexing (Indexing #1) by Seanan McGuire (AUDIO)

STORIES

Here’s what I read this month and where you can find them if you’re interested in reading them too. If no source is noted, the story is from the same magazine or book as the story(ies) that precede(s) it.

1.       “The Waking Sleep of a Seething Wound” by dave ring in Lightspeed Magazine #169, edited by John Joseph Adams

2.       “Udo Gehler and the Virgin Bitch of the Resistance” by Andrea Kriz

3.       “The Help Hotline” by Dominica Phettleplace

4.       “Warning Notes from an Annihilator Machine” by Oyedotun Damilola Muess

5.       “Sparrow and the Parasol” by Varsha Dinesh

6.       “An Otherworldly Cat Tells You the Secrets of the Universe” by Megan Chee

7.       “In the Hands of the Mountain God” by Deborah L. Davitt

8.       “The Weight of Salt” by Shanna Germain

9.       “No One Leaves for Good” by Seanan McGuire, from the Author’s Patreon

10.   “Two Talented Bastids” by Stephen King, from You Like It Darker: Stories

11.   “The Fifth Step” by Stephen King

12.   “Willie the Weirdo” by Stephen King

13.   “Danny Coughlin's Bad Dream” by Stephen King

14.   “Finn” by Stephen King

15.   “On Slide Inn Road” by Stephen King

16.   “Red Screen” by Stephen King

17.   “The Turbulence Expert” by Stephen King

18.   “Laurie” by Stephen King

19.   “Rattlesnakes” by Stephen King

20.   “The Dreamers” by Stephen King

21.   “The Answer Man” by Stephen King

So that’s 21 short stories in June. Less than “1 per day” again, which puts me slightly behind again for the year! (June 30th was the 182nd day of 2024.)

MOVIES

I watched five movies in June:

1.       Beautiful Thing (1996)

2.       Gamera vs. Jiger (1970)

3.       Gamera vs. Zigra (1971)

4.       Gamera: Super Monster (1980)

5.       Jim Henson Idea Man (2024)

The week ending June 30th was the 26th week of the year, so I’m still way behind on the “1 movie per week” challenge.

TELEVISION

·       Shoresy Season 3, Episodes 1 – 6 (6 episodes)

·       Doctor Who (2024) Season 1, Episodes 6-8 (3 episodes)

·       Dead Boy Detectives Season 1, Episodes 1 – 8 (8 episodes)

·       The 77th Annual Tony Awards (1 episode)

That’s 18 episodes of television, which is well below the “1 per day” I was shooting for and keeps me behind the pace for this challenge.

LIVE THEATER

·       The Play That Goes Wrong Pennsylvania Shakespeare Festival, Central Valley PA

·       N/A, Mitzi Newhouse Theatre, Lincoln Center, NYC

Summary of Challenges:

“To Be Read” Challenge: This month: 2 read; YTD: 6 of 15 read.

366 Short Stories Challenge: This month:  21 read; YTD: 179 of 366 read.

Goodreads Challenge: This month: 9 read; YTD: 60 of 120 read.

Graphic Novels Challenge:  This month: 2 read; YTD: 13 of 52 read.

Non-Fiction Challenge: This month: 0 read; YTD: 9 of 12 read.

Read the Book / Watch the Movie Challenge: This month: 0 read/watched; YTD: 1 read/watched.

Movie Challenge: This month: 5 watched; YTD: 16 of 52 watched.

TV Shows Challenge: This month: 18 episodes watched; YTD: 129 of 366 watched.

Live Theater Challenge: This month: 2 shows attended; YTD: 9 of 12 attended.

SUNDAY SHORTS: Mercedes General

TITLE: Mercedes General

AUTHOR: Jerry L. Wheeler

196 pages, Queer Mojo/Rebel Satori, ISBN 9781608642991 (Paperback, e-book)

MY RATING: 5 stars out of 5

MY THOUGHTS: Nominally a short story collection, Jerry L. Wheeler’s Mercedes General might better be described as a “mosaic novel” – the stories are all linked, presenting in chronological order the events of the lives of two extraordinarily ordinary gay men from 1966 to 2006. But whatever you call it, this is a book everyone needs to read. It is a history of the gay rights movement, the advances and the setbacks, the acceptances and the discrimination, the love and the hate. It is also an intimate story of lifelong love, the kind of love that roots early and permanently and never looks back.

Kent Mortensen meets Spencer Michalek when they are ten years old. Kent is firmly under the control of his bully of a big sister, who sees the “new kid” in town at the bus stop and absolutely must try to torment him. It doesn’t work, and a bond forms between Kent and Spencer that will stand the test of time. Per the back cover copy, “Defying anyone who steps between them, they take on the challenges of growing up a couple – including battles with their families, pedophiles, protestors at their senior prom, and unwanted attention for starting an AIDS hospice during the early part of the epidemic.” And through almost all of it, they have the love and support of Kent’s grandmother, Miss Lee, who owns the big house at the top of the mountain and who is a force to be reckoned with in her own right.

While Kent is the first-person narrator of each story (for reasons that become clear at the end of the book and which I will not spoil), we get to know Spencer, Miss Lee, and the found family they build around themselves as well as we get to know Kent. And what I love about all three is – they are none of them “perfect.” They make mistakes. They make bad decisions that affect their loved ones in ways they don’t anticipate. But they also more often than not make good choices, often tough choices, that echo just as much, if not more, into the lives of those around them. They are all three secure in who they are, even when the world wants them to be different.

Found family is a core tenet of LGBTQIA+ culture, and especially so for men of Kent and Spencer’s generation, dismissed, ignored or downright disowned by their biological families (this is not to say such things don’t happen to today’s LGBTQIA+ youth – of course it does, I’ve seen it; but I’ve also seen a lot more supportive parents than Kent and Spencer’s generation would have, or even my own generation). While we get to watch Kent and Spencer’s romance bloom and deepen, we also get to watch them build a family that fills the voids left by biological parents and siblings who are unwilling or unable to understand and love them, a family that adds new generations to the mix. And these supporting characters are as well-drawn and interesting as the three lead characters.

One of the things I struggle with when it comes to reading historical fiction is the tendency for authors to place their fictional characters at the center of every single major cultural event that happens in that character’s lifetime. Wheeler neatly sidesteps this, and the book is all the better for it. Spencer and Kent have the kinds of experiences that made the news in the decades the book covers (waging a public fight  to go to prom as a couple in the 1970s; taking into their New York brownstone men whose families have disowned them, and whom the hospitals won’t treat, during the early days of the AIDS epidemic), but they are never at any of the cultural hot-spots of those periods (attending drug-filled nights at Studio 54 or encountering Bette Midler performing at the Continental Baths, or somehow making it to NYC at age 13 to be present during the Stonewall Riots). This adds a level of realism to the book, a level of “lived experience,” that a lot of historical novels lack in my opinion.

The book is as much a meditation on grief and loss as it is on love. Another place Wheeler excels is in teasing through the complicated web of emotions that accompany the passing of family members who were at best cold and distant and usually hateful/dismissive. These scenes spoke to me in a way I didn’t know I needed to see laid out on a page and invoked tears I didn’t know I needed to shed (some from sadness, some from anger).

Love, loss, family, friendship, grief, laughter – Mercedes General is a tour through a pair of very real lives, with recognizable moments regardless of your sexual orientation. It’s a book I will be thinking about for a long time. It’s a book I will certainly be rereading in the future and one I suspect will speak to me differently each time I do.

Series Saturday: Three by Rosalie and Hunter Mastaler

July is Disability Pride Month (celebrating the anniversary of the signing of the Americans with Disabilities Act (ADA) in July 1990) so I thought I’d use the first Series Saturday post of the month to feature three books that, while not a “series” in the truest sense of the word, all focus on disability awareness and pride written by the same mother-son pair: Rosalie and Hunter Mastaler.

A little background is probably appropriate here. I created an Instagram account back in 2017. I didn’t do much with it for the first few years, but once I started posting more regularly, of course the platform started making recommendations about accounts to follow and started popping Reels and posts into my feed. Somewhere along the way, it started showing me posts by @mastalerpartyof5, many of which focused on the Mastalers’ son Hunter (then 11 or maybe early 12 years old) and his recommendations on how to approach a child who has a visible disability. Hunter is an amputee (missing one leg below the knee) and is also partially deaf. These posts were informative and also light-hearted, and I found myself paying more attention to how I reacted to seeing disabled people out in public and taking much of the Mastalers’ advice to heart. Following the Mastaler account led me to follow quite a few other accounts focused on disability awareness and inclusion.

In the past couple of years, mom Rosalie and son Hunter (now 14 years old) have written and published three books that take the message from their Instagram presence and expand upon it in print form. I highly recommend all three books.

HUNTER’S TALL TALES

Illustrated by Danelle Prestwich, Hunter’s Tall Tales is a children’s picture book based on Hunter’s real-live encounters with other children who would ask what happened to his leg and focus on that more than just wanting to play. The tall tales the fictional Hunter tells range from being half-robot to not eating enough veggies as a baby and having pet piranhas he forgot to feed. The stories, and the other kids’ reactions to them, are humorous and set the stage for Hunter encountering a boy whose first question is not “what happened to your leg,” but rather “what’s your name” followed by “can you play soccer?” The focus on who he is rather than “what’s wrong with him” changes Hunter’s mood and his entire day. The book makes a crucial point about inclusion and respect, in language young kids can understand and follow. Danelle Prestwich’s art is beautifully simple and expressive, especially in the characters’ eyes and body language.

REPRESENT! 30 True Stories of trailblazers, artists, athletes, and adventurers with disabilities, Volume 1

With artwork by Brant Day, Represent! provides exactly what the title advertises: short biographies of 30 individuals who have been successful in their chosen endeavors despite, and often because of, their disabilities. In the introduction, Hunter and Rosalie both express their admiration for the people they profile, and how many have become Hunter’s heroes and inspirations. The folks profiled range from blind adventurer Erik Weihenmayer, who has climbed all of the world’s seven highest mountains, to Iron Man triathlon athlete Chris Nikic, who has Down Syndrome, to deaf singer/songwriter Mandy Harvey, paraplegic Tony Award winner Ali Stoker, and more. What shines through each entry is the perseverance and commitment of each person to test, and surpass, the boundaries society would place on those who are blind, deaf, paralyzed or otherwise disabled. The authors say they had a challenging time whittling the book down to just 30 entries, and a second volume is planned. I was happy to see profiles of people I was already familiar with (like Ali Stoker, whose Tony Award win had me cheering and crying) alongside profiles of people I’m eager to learn more about.

LET THE GAMES BEGIN

The Mastalers’ most recent publication is Let the Games Begin, another children's picture book focused on the plethora of adaptive sports available to the disability community. The book gives a full-page spread to each sport, ranging from alpine skiing to beep baseball to sled hockey, wheelchair basketball and swimming (the latter two of which Hunter participates in; his wheelchair basketball team won a National Championship in June, and he made the all-tournament team). The art by Betty Yuku is bubbly and adorable. Each sport has fun text easy for younger kids to sound out and read, accompanied by more detailed text appropriate for older readers that explains the history of the sport and how it works.

READING ROUND-UP: May 2024

Here’s what I’ve been reading, listening to, and watching in May 2024!

BOOKS

I read 14 books in May: 4 in print, 1 in e-book format, and 4 in audio format. They were:

1.       Mercedes General by Jerry L. Wheeler (PRINT, short story collection)

2.       All About Me! My Remarkable Life in Show Business by Mel Brooks (AUDIO, Non-Fiction Challenge, To Be Read Challenge (audio alternate title))

3.       Or by Liz Duffy Adams (PRINT) (also saw staged reading live performance)

4.       Tommy's Tale by Alan Cumming (AUDIO)

5.       The Women by Kristin Hannah (PRINT, Sparta Books Book Club June selection)

6.       Merlin's Booke by Jane Yolen (PRINT, To Be Read Challenge (print alternate title)

7.       Rita Moreno: A Memoir by Rita Moreno (AUDIO, Non-Fiction Challenge)

8.       You Can Thank Me Later by Kelly Harms (AUDIO)

9.       Tidal Creatures (Alchemical Journeys #3) by Seanan McGuire (E-BOOK, ARC)

STORIES

Here’s what I read this month and where you can find them if you’re interested in reading them too. If no source is noted, the story is from the same magazine or book as the story(ies) that precede(s) it.

1.       “We Will Teach You How to Read | We Will Teach You How to Read” by Caroline M. Yoachim in Lightspeed Magazine #168, edited by John Joseph Adams

2.       “The Last Thing They See Is Laika” by Stephen Geigen-Miller

3.       “Over A Long Time Ago” by Nisi Shawl

4.       “Chaos Theory” by Ash Howell

5.       “Done Deal” by Rory Harper

6.       “Exit Interview” by Ben Peek

7.       “And the Dreams That You Dare to Dream” by Marissa Lingen

8.       “Richard Nixon and the Princess of Crows” by P H Lee

9.       “A Pilgrimage to the God of High Places” by Marissa Lingen, from Beneath Ceaseless Skies #406 edited by Scott H. Andrews

10.   “A Series of Accounts Surrounding the Risen Lady of the Orun-Alai and Other Alleged Miracles in the Final Days of the Riverlands War” by Aimee Ogden

11.   “Fishy” by Alice Towey, from Clarkesworld #212, edited by Neil Clarke

12.   “The Portmeirion Road” by Fiona Moore

13.   “In Which Caruth is Correct” by Carolyn Zhao

14.   “The Brotherhood of Montague St. Video” by Thomas Ha

15.   “An Offering from the Void” by Daniel David Froid, from Nightmare Magazine #140, edited by Wendy N. Wagner

16.   “Solve This One, Mrs. Miller” by Carlie St. George

17.   “like blood on the mouths of death” by Victor Forna

18.   “The Girl with No Hands” by Jordan Taylor, from Kaleidotrope Spring 2024, edited by Fred Coppersmith

19.   “The Blood of Raizor” by Jason Scott Aiken, from Strange Incursions

20.   “Galazi in the Enchanted City” by Jason Scott Aiken

21.   “The Confession of Brother Blaise” by Jane Yolen, from Merlin’s Booke

22.   “The Wild Child” by Jane Yolen

23.   “Dream Reader” by Jane Yolen

24.   “The Gwynhfar” by Jane Yolen

25.   “The Dragon's Boy” by Jane Yolen

26.   “The Sword and the Stone” by Jane Yolen

27.   “Evian Steel” by Jane Yolen

28.   “In the Whitethorn Wood” by Jane Yolen

29.   “Epitaph” by Jane Yolen

30.   “Fringe” by Jerry L. Wheeler, from Mercedes General

31.   “The Circus” by Jerry L. Wheeler

32.   “The 12:40 to Chicago” by Jerry L. Wheeler

33.   “The Incident” by Jerry L. Wheeler

34.   “Senior Prom for a Mob” by Jerry L. Wheeler

35.   “Pavane for Three Dead Women” by Jerry L. Wheeler

36.   “Mercedes General” by Jerry L. Wheeler

37.   “Another Death, Another Path” by Jerry L. Wheeler

So that’s 37 short stories in May. More than “1 per day” for the first time this year, which puts me back on pace, and slightly ahead, for the year! (May 31st was the 152nd day of 2024.)

MOVIES

I only watched two movies in May:

1.       Baby Driver (2017)

2.       Gamera Vs. Guiron (1969)

The week ending May 26th was the 21st week of the year, so I’m still way behind on the “1 movie per week” challenge.

TELEVISION

·       Shoresy Season 2, Episodes 1 – 6 (6 episodes)

·       Doctor Who (2024) Season 1, Episodes 1-5 (5 episodes)

·       Star Trek: Discovery Season 5, Episodes 1 – 10 (10 episodes)

·       Star Trek: Short Treks Season 1, Episode 2 (1 episode)

·       The Ready Room Season 14, Episodes 2 – 10 (9 episodes)

·       Larry Dean: Fandan Comedy Special (1 episode)

That’s 32 episodes of television, which surpasses the “1 per day” I was shooting for but still puts me behind the pace for this challenge.

LIVE THEATER

·       Or, What She Will Red Bull Theatre, NYC

Summary of Challenges:

“To Be Read” Challenge: This month: 2 read (both from the “alternates” list); YTD: 4 of 15 read.

366 Short Stories Challenge: This month:  37 read; YTD: 158 of 366 read.

Goodreads Challenge: This month: 10 read; YTD: 51 of 120 read.

Graphic Novels Challenge:  This month: 0 read; YTD: 11 of 52 read.

Non-Fiction Challenge: This month: 2 read; YTD: 9 of 12 read.

Read the Book / Watch the Movie Challenge: This month: 0 read/watched; YTD: 1 read/watched.

Movie Challenge: This month: 2 watched; YTD: 11 of 52 watched.

TV Shows Challenge: This month: 32 episodes watched; YTD: 111 of 366 watched.

Live Theater Challenge: This month: 1 show attended; YTD: 7 of 12 attended.

READING ROUNDUP: April 2024

Here’s what I’ve been reading, listening to, and watching in April 2024!

BOOKS

I read 14 books in April: 7 in print, 3 in e-book format, and 4 in audio format. They were:

1.       Triad Blood (Triad #1) by ‘Nathan Burgoine (PRINT)

2.       The Brides of High Hill (Singing Hills Cycle #5) by Nghi Vo (E-BOOK)

3.       Macbeth (an undoing) by Zinnie Harris (PRINT) (also saw a live production)

4.       Triad Soul (Triad #2) by ‘Nathan Burgoine (PRINT)

5.       Becoming by Michelle Obama (AUDIOBOOK, Non-Fiction Challenge, 2024 TBR Challenge)

6.       Stories of a Lifetime by Dan Rather (AUDIOBOOK, Non-Fiction Challenge)

7.       Legends & Lattes (Legends & Lattes Book 1) by Travis Baldree (E-BOOK)

8.       The Champions Classic: The Complete Collection by Tony Isabella, Bill Mantlo, Don Heck, John Byrne and others. (PRINT, Graphic Novel Challenge)

9.       House of Slaughter Volume 3: The Butcher's Return by James Tynion IV, Tate Brombal, Werther Dell’Edera, Antonio Fuso and Miquel Muerto (PRINT, Graphic Novel Challenge)

10.   House of Slaughter Volume 4: Alabaster by James Tynion IV, Sam Johns, Werther Dell’Edera, Letizia Cadonici and Francesco Segala (PRINT, Graphic Novel Challenge)

11.   All The Names They Used for God: Stories by Anjali Sachdeva (AUDIOBOOK, short story challenge)

12.   Paradox Lost by Roberta Pescow (E-BOOK, short story challenge)

13.   Breaking Bold and Brave: A Fan's Journey Through One of Comics' Greatest Titles by Jim Beard (introduction by Paul Kupperberg) (PRINT, Non-Fiction Challenge)

14.   Harry Clarke by David Cale (AUDIOBOOK)

STORIES

Here’s what I read this month and where you can find them if you’re interested in reading them too. If no source is noted, the story is from the same magazine or book as the story(ies) that precede(s) it.

1.       “A Pedra” by Endria Isa Richardson, in Lightspeed Magazine #167, edited by John Joseph Adams

2.       “Under a Star, Bright as Morning” by David Anaxagoras

3.       “Mother's Day, After Everything” by Susan Palwick

4.       “Limping Towards Sunrise” by Rich Larson

5.       “a testament to indirection, an enigma, the sun above” by Mitchell Shanklin

6.       “How To Know Your Father Is a God” by Modepeoluwa Shelle

7.       “Salemo” by David Marino

8.       “Travelers' Tales from the Ends of the World” by Vandana Singh

9.       “A Traveler's Guide to Fantastical Countries” by Seanan McGuire, on the Author’s Patreon

10.   “Vivisepulture” by James Bennett, from The Dark #107, edited by Sean Wallace

11.   “Water Like Broken Glass” by Carina Bissett

12.   “Imago” by Steve Rasnic Tem

13.   “Dead But Dreaming Still” by Michael Kelly

14.   “The Coffee of Torcat” by Devin Miller, from Beneath Ceaseless Skies #404 edited by Scott H. Andrews

15.   “The Lark Ascending” by Eleanna Castroianni, from Clarkesworld #211, edited by Neil Clarke

16.   “An Intergalactic Smuggler's Guide to Homecoming” by Tia Tashiro

17.   “Stitched to Skin Like Family Is” by Nghi Vo, from Uncanny Magazine #57, edited by Lynne M. Thomas and Michael Damian Thomas

18.   “The Best Ever Cosplay of Whistle and Midnight” by Annalee Newitz

19.   “Three” by ‘Nathan Burgoine, from Blood Sacraments: Gay Vampire Erotica, edited by Todd Gregory

20.   “Possession” by ‘Nathan Burgoine, from Erotica Exotica: Tales of Sex, Magic, and the Supernatural, edited by Richard LaBonté

21.   “Bound” by ‘Nathan Burgoine, from Not Just Another Pretty Face, edited by Louis Flint Ceci

22.   “The World by Night” by Anjali Sachdeva, from All the Names They Used for God

23.   “Glass-Lung” by Anjali Sachdeva

24.   “Logging Lake” by Anjali Sachdeva

25.   “Killer of Kings” by Anjali Sachdeva

26.   “All the Names They Used for God” by Anjali Sachdeva

27.   “Robert Greenman and the Mermaid” by Anjali Sachdeva

28.   “Anything You Might Want” by Anjali Sachdeva

29.   “Manus” by Anjali Sachdeva

30.   “Pleiades” by Anjali Sachdeva

31.   “A Life in the Service” by Roberta Pescow, from Paradox Lost

32.   “Bad Left Turns” by Roberta Pescow

33.   “A Monster's Tears” by Roberta Pescow

34.   “Be Right Back” by Roberta Pescow

35.   “A Presence Beyond the Shadows” by David Lee Summers, from Arithmophobia: An Anthology of Mathematical Horror, edited by Robert Lewis

36.   “The Artful Eagle” By Barbara Krasnoff, from Kaleidotrope Magazine, Spring 2024, edited by Fred Coppersmith

37.   “Where the Girls Who Were Eaten Alive Live” by R.K. Duncan

38.   “Pillow Fort” by Alexandra Munck

39.   “Harry Clarke” by David Cale, from Harry Clarke

40.   “Lillian” by David Cale

41.   “Necessary Evils” by ‘Nathan Burgoine, from Raising Hell: Demonic Gay Erotica, edited by Todd Gregory

42.   “Intercession” by ‘Nathan Burgoine, from Wings: Subsersive Gay Angel Erotica, edited by Todd Gregory

So that’s 42 short stories in April. More than “1 per day” for the first time this year, which puts me back on pace for the year! (April 30th was the 121st day of 2024.)

MOVIES

April was an improvement over March because I managed to watch four movies in April:

1.       Knock at the Cabin (2023)

2.       Gamera vs. Viras (1968)

3.       Just What the Doctor Ordered (2021)

4.       Doctor Who: The Movie (1996)

TELEVISION

·       Heartstopper Season 1, Episodes 1-8 (8 episodes)

·       Heartstopper Season 2, Episodes 1 – 8 (8 episodes)

That’s 16 episodes of television, again not the “1 per day” I was shooting for, and slightly worse than February’s total.

LIVE THEATER

It was another good month for live theater:

·       Macbeth (an undoing), Polonsky Shakespeare Center, Brooklyn, NYC

·       Water For Elephants, Imperial Theatre, NYC

Summary of Challenges:

“To Be Read” Challenge: This month: 1 read; YTD: 2 of 14 read.

366 Short Stories Challenge: This month:  42 read; YTD: 121 of 366 read.

Goodreads Challenge: This month: 14 read; YTD: 41 of 120 read.

Graphic Novels Challenge:  This month: 3 read; YTD: 11 of 52 read.

Non-Fiction Challenge: This month: 3 read; YTD: 7 of 12 read.

Read the Book / Watch the Movie Challenge: This month: 0 read/watched; YTD: 1 read/watched.

Movie Challenge: This month: 4 watched; YTD: 9 of 52 watched.

TV Shows Challenge: This month: 16 episodes watched; YTD: 79 of 366 watched.

Live Theater Challenge: This month: 2 shows attended; YTD: 6 of 12 attended.

Book Review: A VOICE CALLING

TITLE: A Voice Calling

AUTHOR: Christopher Barzak

103 pages, Psychopomp, ISBN 9798891160019 (softcover, also in e-book)

MY RATING: 5 stars out of 5

Christopher Barzak’s new novella A Voice Calling is ostensibly a haunted house story, but it is also very much a haunted community story, an elegiacally written and unsparing look at the way secrets and violence can permeate and shape both places and people (individually and collectively).

In Barzak’s hands, Button House takes a rightful place alongside Shirley Jackson’s Hill House, Poe’s House of Usher, King’s Marsten House, and Elizabeth Hand’s Wylding Hall as iconic haunted houses (each of those listed left an indelible mark on my imagination; your list may be different). Button House has a mood I can only describe as “habitable desolation,” thanks to its history. That history, revealed through flashbacks of varying lengths throughout the narrative, starts with an unsurety as to whether the house or the orchards that surround it came first. One way or the other, the property has roots that are more than one hundred years old, and most of that history is sordid and bloody. House and orchard together are fixed in my mind as someplace I wouldn’t want to be alone in at any time of day – and Barzak works this magic with very few detailed descriptions of the house and grounds. It is largely through mood and inference that a picture of the property forms in the reader’s mind, which I think is far more effective than overly detailed descriptions of the furniture in every room.

But as I said, it’s not just the house that is haunted. It is the nearby community as well. This community narrates the story with a collective “we.” These faceless, and mostly nameless, voices are at times judgmental, speculative, defensive, infuriated, occasionally even concerned – but they are never warm, never really welcoming or hospitable. And thus they are also blind both to how complicit they are in the events that occur (by turning a blind eye to the house and its inhabitants when attention might have swayed matters) and to how haunted they are by those events. The fear of a community is a palpable thing, self-perpetuating and uncontrollable. As the book progressed, I found myself increasingly picturing the narrators as one of the angry mobs from the early Universal monster films. Like those mobs, Barzak’s narrators never really gain any sense of individuality. Sure, we get a townsperson’s name here and there, for color. But we never get to know them.

We do get to know the focal character of the present day portions of the novel, the character the nameless narrators are most concerned about because she used to be one of their own: Rose Billings (the narrators never really accept her marriage to Button House’s last living resident, Jonas Addleson, and thus never refer to her by her married name, another manifestation of their fear and mistrust). Caught out near Button House during a bad storm, Rose, who has heard voices in her head all her life, feels called to the House. But did the House call to Rose because Jonas needed rescue, or because something else did? Barzak neatly conjoins this mystery with the bloody history of the house in prose that is compelling and engrossing, with not a superfluous word in the work. Even with chapter breaks, the story has so much momentum that it qualifies as my first “couldn’t put it down until I was done” read of 2024.

Throughout my reading, I kept feeling like the story was familiar, like I’d read it before. I chalked it up to Barzak being one of my favorite writers and just feeling at home in his style, because this is the first publication in any form of A Voice Calling. My feeling was correct, though. This novella grew out of a short story “What We Know About the Lost Families of –House,” which I’ve read at least once. The original story is great, but the novella format gives the story a bit more room to breath and to suck the reader into Button House’s history.

This book is also the first release from small press publisher Psychopomp (previously known for The Deadlands magazine). It is an excellent start to what I am confident will be a lengthy line of eerie books that explore our relationship with death in all its myriad facets, as well as what may or may not come after.

Book Review: MAMMOTHS AT THE GATES

TITLE: Mammoths at the Gates (Singing Hills Cycle #4)

AUTHOR: Nghi Vo

128 pages, TorDotCom Publishing, ISBN 9781250851437 (hardcover, also e-book and audio)

MY RATING:  5 stars out of 5

Mammoths at the Gates, the fourth novella in Nghi Vo’s Singing Hills Cycle, finally introduces readers to Cleric Chih’s home monastery. Chih’s return to Singing Hills is not as joyous as it should be. Chih’s mentor, Cleric Thien, has passed away. Most of the monastery inhabitants are away studying a recently uncovered flooded city. And Singing Hills is being threatened by the granddaughters of Cleric Thien, who want their grandfather’s remains to lie in state, because of his high status as clan head before becoming a Cleric and be buried alongside their recently deceased grandmother. Chih must find a way to help the acting head of the monastery, who also happens to be Chih’s childhood best friend Ru, deal with the granddaughters while honoring Thien’s memory and teachings under the traditions of Singing Hills.

Mammoths at the Gates is one of several books I’ve read recently that delve into the myriad ways in which we process grief and loss. Both Chih and Ru exhibit behaviors I found very familiar as they process their loss: the great outpouring of emotion only when alone or with the closest of friends, and the using of work, even if it’s just “busy work,” to blunt the raw emotions enough to get through the days/weeks that follow the loss. But while for Chih keeping busy is a choice, for Ru it is a requirement; as acting head of Singing Hills Ru must attend to the visitors at the gates as well as the day-to-day operations of the monastery. Vo also expertly addresses the swings that happen from recalling happy memories to recognizing the reality that the person is truly gone, including those moments when we “hear” the person, or “see” them out of the corner of our eye and think for a moment that maybe news of their passing was incorrect … or those moments when we simply forget the person is gone.

By contrast, there is Thien’s avian companion Many Virtues. In the Singing Hills Cycle, Cleric are accompanied by neixin, birds with infallible memory – they recall everything they see and hear, which makes them amazing repositories of world history, legend, and the details of an individual’s life. The bond between Cleric and neixin is indelible and deep. Through Many Virtues, Vo explores what happens when our sense of loss is so profound we cannot imagine continuing to live without the one we’ve lost, and how sometimes that leads to self-harm (off-screen, in this case).

Through Thien’s granddaughters, Vo also looks at the way we sometimes mourn an idea rather than a real person. These granddaughters didn’t actually know their grandfather. But they were brought up on stories of his career and they say the palpable love their grandmother held for their grandfather even after he’d become a Cleric. But they still mourn the loss as though they knew him directly, mirroring the way in our world we mourn the passing of celebrities we’ve never actually met as though we knew them intimately.

Vo also comments on the cultural/societal ways in which we “say goodbye,” the rituals that are attached to acknowledging a person’s passing and the impact they had on our lives. I found Singing Hills’ ceremony, one of storytelling about the deceased with a touch of ritual rather than one focused more on the ritual than the person, to be sweet and ideal, providing some of the most poignant moments of the book.

Chih also must navigate the changes in their relationship with Run. As a traveling Cleric, Chih has been away from the monastery more than they have been present, while for reasons of health Ru has not been able to travel and has had to forge a life in the absence of their best friend. Watching Chih reconcile the past with the present was a bit uncomfortable at times but was important for both characters.

Even though this is the fourth book in the series, the Singing Hills novellas are all stand-alone. So even if you haven’t read the preceding three books you can pick up Mammoths at the Gates and quickly understand Cleric Chih and their world. For those that have read the earlier novellas, there are oblique references to those events that will tantalize without making new readers feel like they are missing vital information. (And the fifth Singing Hills Cycle entry, The Brides of High Hall, comes out on May 7, 2024!)

 I previously reviewed book three in the Singing Hills Cycle, Into the Riverlands, as well as Nghi Vo’s standalone novel The Chosen and the Beautiful.

I received an advance reading copy of this book for free from the publisher via NetGalley in exchange for an honest review. This does not affect my opinion of the book or the content of my review.

Sunday Shorts: Transgender Day of Visibility

March 31st is this year’s Transgender Day of Visibility. Rather than just review a story or two, I thought I’d list just a few of the many wonderful transgender, non-binary, and genderfluid short story and novella writers whose work I have enjoyed over the years (in no particular order) and give some links to where you can find their work or more about them. (Also, apologies in advance to anyone I leave off. It’s not purposeful, and this is not meant to be a complete list. I’m working under a little bit of a deadline.

Everett Maroon. I loved Everett’s memoir (Bumbling into Body Hair) and his novel (The Unintentional Time Traveler, which I’m hoping we’ll get a sequel to). His short stories have appeared in a number of anthologies as well as one collection (Spinning Around a Sun).  https://www.goodreads.com/author/list/5759590.Everett_Maroon

Charlie Jane Anders. Charlie Jane has written YA novels (the Unstoppable trilogy), writing advice books (Never Say You Can’t Survive), novels (All the Birds in the Sky among them), and a good number of short stories (many collected in Even Greater Mistakes).  https://www.charliejaneanders.com/

Lee Mandelo. Lee wrote one of my favorite novels of 2021 (Summer Sons), one of my favorite novellas of 2023 (Feed Them Silence) and has another novella out this month (The Woods All Black, sitting atop my TBR pile right now), and his short stories can be found in places like Uncanny Magazine.  https://leemandelo.com/

K.M. Szpara. Novelist (First Become Ashes and Docile) and short story writer (appearances in Uncanny, Lightspeed, and elsewhere), K.M. also edited Transcendent: The Year’s Best Transgender Speculative Fiction 2016, published  by Lethe Press. https://www.kmszpara.com/

Jordan L. Hawk. Jordan mixes gay romance and sex with Lovecraftian horror (the Whyborne & Griffin series), supernatural detective stories (the Spirits series), shapeshifters (the Hexworld and Pride books) and more.  https://jordanlhawk.com/

Nino Cipri. Nino Cipri’s short stories have appeared in Fireside Fiction, Nightmare, and elsewhere and collected in Homesick: Stories. They have also written novellas (Finna and Defekt) and the upcoming YA novel Dead Girls Don’t Dream. https://ninocipri.com/

Bogi Takacs.  Bogi’s short stories have been collected in The Trans Space Octopus Congregation (2019) and Power to Yield (2024). E also edited the 2017 – 2019 editions of Transcendent: The Year’s Transgender Speculative Fiction. Check out eir Patreon as well. https://www.patreon.com/bogiperson/posts

S.A. Hunt. Samara Hunt is the author of the Malus Domestica horror series along with some short stories. She also has a Patreon. http://www.sahuntbooks.com/about.html https://www.patreon.com/sahuntbooks/posts?filters%5Btag%5D=space

A.M. Dellamonica. Author of the Indigo Springs and Hidden Sea Tales series, Dellamonica’s short stories have appeared in Lightspeed Magazine and Uncanny Magazine among other places.  https://alyxdellamonica.com/

Nisi Shawl. Novelist (Everfair and the recently-released Kinning) and non-fiction writer (including co-authoring Writing the Other with Cynthia Ward), Shawl’s short stories have appeared in Apex Magazine and  Nightmare Magazine among many others, as well as in too many anthologies to list.  http://www.nisishawl.com/Index.html

Neon Yang. The author of one of my favorite on-going novella series, the Tensorate series, as well as a novel (The Genesis of Misery), Yang’s short fiction has appeared in magazine like Clarkesworld, anthologies like The Book of Dragons, and on Tor.com (now called Reactor). https://neonyang.com/

Macbeth Monday: WHY?

It is no secret that Macbeth is my favorite play by Williams Shakespeare. I will see every live production I can. I have many of the filmed versions on DVD (but not all, especially if you include all the pastiches and “based loosely on…” films). I have comic book and graphic novel adaptations, and more novels and non-fiction books about both the real King Macbeth and Shakespeare’s version than I have ever managed to read.

But if I’m being honest … I have no idea when my obsession with this Shakespeare work started.

 Most of my lifelong pop culture obsessions I can trace back to my father. His love of classic black and white horror films and Abbott and Costello led to my love of all things connected to Dracula. His love of musicals (Broadway and film) and classic Disney (animated and live action) led to my love of all things Arthurian (thanks to the Broadway cast album and movie versions of Camelot and the Disney animated classic The Sword in the Stone). My wildly diverse musical taste (Barbershop Quartet to hard rock)? My love of slapstick comedy and fast-talking comedy duos? My continuing to root for the Mets and the Giants despite rarely watching sports on television anymore? All Dad’s fault.

But Macbeth? Not sure I can toss the credit/blame his way on this one. He was not a fan of Shakespeare (except when there was a musical connection, as in Kiss Me, Kate). Yes, he and his brothers were first-generation Americans of Scots descent (both of my paternal grandparents came from Scotland as adults). But he never seemed to care about his Scots heritage (possibly because of bad blood between him and my grandfather, who passed when I was young), so I doubt Macbeth would have come up in that context.

I can’t even remember when I first encountered the play. I know it was before we studied it in high school. It may have been in the 1937 leatherbound edition of the Complete Works of William Shakespeare published by Walter J. Black, given to me in middle school by my Aunt Frances (who was not from the Scots side of the family), but did middle school me really randomly flip through the book and chance upon Macbeth some 1,100 pages in? I guess it’s possible. Or maybe it was a random Saturday or Sunday viewing of Akira Kurosawa’s Throne of Blood, his adaptation of Macbeth, on one of the local NYC television stations that filled weekend airwave hours with badly-dubbed Japanese martial arts and monster movies (another fave of my father’s, leading to my lifelong Kaiju affection) and occasionally threw in more high-brow dubbed fare.

The first live production I remember seeing was a touring company of British actors that came to Mahopac High School my senior year (or maybe it was junior). What I remember most about that production was that men played the Three Witches, something I’d previously only seen done in the comedy of Monty Python, Flip Wilson, the Carol Burnett Show, etc... In hindsight, it seems there wasn’t much memorable about the performance other than that it was the first time I saw Macbeth live. It certainly wasn’t the last.

Okay, so don’t remember my first encounter with the play, and only vaguely remember the first live production I saw. But the title of this post is “Why Macbeth?” As in, why is it my favorite?

Young me was definitely obsessed with the supernatural elements: the Witches, the visions, the ghost of Banquo! And probably a bit with the bloodshed as well. But definitely the supernatural elements. Middle school was also when I was becoming obsessed with Dracula and read Bram Stoker’s novel for the first time, and when my love of all things Arthurian was also ramping up (most of my classmates didn’t really like reading “Gawain and the Green Knight,” but man did I love it, because supernatural doings!) The more supernatural, the better!

But while those scenes remain favorites and are looked forward to every time I see the show, I’ve also come to appreciate Shakespeare’s depth of character in all the leads (Macbeth, Lady Macbeth, Banquo, and Macduff), and how they respond to prophecy and to plain fact. Even though The Bard was writing several hundred years before the British historian Lord Acton penned his famous phrase about power, I do think that Shakespeare was delving into the concept that “power tends to corrupt; absolute power corrupts absolutely.” Macbeth starts the play as a loyal Thane, confused by why the Witches would address him with titles beyond his scope. It takes him a while to come around to the idea of murdering Duncan; he vacillates mightily before agreeing to do the deed. But it’s all downhill from there. Even having murdered his predecessor, he could still have been a good King, lived a repentant life – but once he has the power, he becomes paranoid and controlling, obsessed with the idea of a legacy the Witches promised to someone else. Corrupt. While at the same time, his wife descends into mental illness, depression, and suicide. Lady Macbeth’s move from enabler and co-conspirator to guilt-wracked sleepwalker is as moving as her husband’s shift from loyal Thane to genocidal despot. And in my mind, there is no doubt that they love each other deeply, from start to finish. I am NOT a fan of Shakespeare’s romances (Romeo & Juliet: ugh) but I think he manages to make it clear Macbeth and his Lady do love each other, which enables us to wonder: in different circumstances, what kind of power couple could they have been?

In his fantastic one-man show All the Devils Are Here, the actor Patrick Page traces Shakespeare’s development of the concept of the villain. Macbeth is of course included in the show. In a talk-back with the audience after the performance I saw in December 2023, Page said something that made me view Macbeth in yet another light. Responding to a question about how he finds his way into playing so many villainous roles, Page said that his first question is always “what does this person ultimately want?” And, he said, for Macbeth that is to overcome his fears. He’s afraid of the Three Witches, so he meets them head-on. He’s afraid of killing Duncan, so he does it. He’s afraid of losing the power he’s gained, so he has more people killed to protect it. He’s afraid of death, so when confronted with Macduff, not “of woman born,” but “ripped untimely from his mother’s womb,” Macbeth cries “Lay on, Macduff, and damned be he who first cries ‘hold, enough.’” I had never looked at the character, or the arc of the play, from that perspective before: conquering one’s fears.

I am also intrigued by the staging and costuming choices made by each new production. I’ve seen the show performed in “authentic” Scots dress of the period Macbeth takes place in (roughly 1040, when the real Macbeth reigned), in the dress of Shakespeare’s time, in Russian military uniforms of the Cold War, in modern dress, and more. Each choice brings distinct aspects of the script, and its relationship to our current day obsessions with power, wealth, destiny, and legacy, to light.

So. Why do I love Macbeth so much? There’s no one reason. I love the supernatural aspects, I love the commentary on power and motivation and guilt and paranoia, I love the power of the soliloquies. I also love that Shakespeare gave us what might have been the first written “alternate history” (because he knew darn well that his history of Duncan, Macbeth, and company was nowhere near the real history) with speculative fiction aspects – which might need to be the subject of a future Macbeth Monday post.

Do you also love Macbeth? Why or why not? And if not – what is your favorite Shakespeare play?

It is no secret that my favorite Shakespeare play is Macbeth. I’ve lost count of how many live productions of it I’ve seen, plus movie and TV versions I own in various formats, not to mention all the novels, graphic novels, and non-fiction books. Macbeth Monday is intended to be an occasional feature on the blog where I discuss whatever version or aspect of the story catches my attention at a particular moment.

There’s currently only one previous Macbeth Monday post, about Drunk Shakespeare NYC’s production. But I also posted my thoughts on Patrick Page’s All the Devils Are Here in a recent Theater Thursday post.

Sunday Shorts: Two by Sharang Biswas

Sharang Biswas is a game designer, writer, and artist based in New York City whose stories and poetry have appeared in Nightmare Magazine, Fantasy Magazine, Baffling Magazine, Sana Stories, Strange Horizons, and elsewhere. Look him up on his website. Today, I’m going to look at his two most recent stories that appeared in Lightspeed Magazine, edited by John Joseph Adams. Lightspeed Magazine contents are free to read on the website and e-book subscriptions are also available.

“Real Magic” (Lightspeed Magazine #153, February 2023)

Three townspeople visit the Witch in the Woods to ask for help with their problems. She extracts a different price from each, something either cherished or endemic to the person’s sense of self. Each visitor ultimately finds what they are searching for (or searching for relief from), but not in the way they or the reader expects. The witch uses their ingredients to do real magic. This is a beautifully told story, a fairy tale in style but cloaked in Biswas’ beautiful sense of character and community. Biswas uses the needs of the visitors (and their resolutions) to show that every individual action has an effect outside the moment in which that action is taken or that choice is made. Nothing happens in a vacuum, no one person’s fate is theirs alone. What one person discards (willingly or not) may be picked up by another (who may or may not benefit from it). I also loved how Biswas doesn’t spoon-fed the connections between the villagers’ stories but lets them come out organically and not all at once.

“Season of Weddings” (Lightspeed Magazine #166, March 2024, story goes live on the website March 28th)

Nate receives seven wedding invitations in one year. Okay, two of them are for his job, which is maybe a little less fun than attending as a guest. Especially because it quickly becomes apparent to the reader that Nate is Thanatos, god of death. Sometimes, people die at weddings. Still reeling from his most recent relationship break-up (with Thor, who has moved on to loving a mortal woman), Nate must navigate these weddings, new singlehood, his job, his perhaps too-pushy best friend, and a cute guy he keeps bumping into at the weddings. This story is so sweet, so romantic and wistful. I recognized some of myself in Nate’s self-esteem issues around romance and relationships, which made me connect to the work even more. The world-building is also wonderful, bringing together characters from all sorts of world mythologies and religions but tweaking them in new and interesting ways (for instance, the Thor is this story is neither the “drunken jock” we often see nor the blond-tressed super-hero). I won’t spoil who all shows up, because part of the fun of the story is the reveals of Nate’s friends’ circle. I’m a sucker for “deities and personifications of human concepts walk among us and act like every-day people” types of stories (think the classic issue number eight of Neil Gaiman’s the Sandman, illustrated by Mike Dringenberg, among others), and this one fits the description very well. It also fits very well as a paranormal romance, and I love it when authors blend and blur genres.

I love short fiction, and Sunday Shorts is the feature where I get to blog about it. I’ve considered promising to review a short story every day, but that’s a lot of pressure. And while no one will fault me if I miss days, I’ll feel guilty, which will lead to not posting at all. So better to stick to a weekly post highlighting a couple/three stories, as I’ve done in the past. Click on the Sunday Shorts tab at the bottom of this post to find earlier entries in the series!