Interview: WIN SCOTT ECKERT 2025

Today I chat with author and friend Win Scott Eckert, as a part of my ongoing series featuring creative folks who will be appearing at Pulpfest 2025. Win is the editor of Myths For the Modern Age and three volumes of short stories featuring The Green Hornet, co-author with Philip Jose Farmer of The Evil in Pemberley House and The Monster on Hold, and author of Crossovers: A Secret History of the World, The Scarlet Jaguar, and the authorized Edgar Rice Universe canonical novels Tarzan: Battle for Pellucidar, and Korak At The Earth’s Core. He has also written short stories featuring classic characters like The Green Hornet, the Lone Ranger, the Avenger, the Phantom, Sherlock Holmes, the Domino Lady, Honey West, T.H.E. Cat, and Irma Vep. Win is a member of the International Association of Media Tie-In Writers, holds a B.A. in anthropology and a Juris Doctor.

Hi, Win! Thanks for taking some time to chat. I know you’re busy working on the second book in your Edgar Rice Burroughs Universe trilogy, the Dead Moon Super-Arc.

WSE: Hi, Anthony! Yes, Pellucidar: Land of Awful Shadow.

We’ll talk about the new book shortly, but my first question is more general. You’ve had a wonderful career writing in the worlds of Edgar Rice Burroughs, Philip José Farmer, the Green Hornet, The Avenger, Honey West, the Lone Ranger, and others. Talk to me a bit about your earliest memories of wanting to write these characters/in these worlds.

To be honest, I didn’t consider writing fiction until after I started my metafictional Wold Newton Universe site in 1997. My first forays were non-fiction (or rather, metafiction) essays which were writing about characters’ chronologies and family trees, rather than traditional fiction stories. It was only when Jean-Marc Lofficier suggested that I try my hand at straight fiction for his annual Tales of the Shadowmen anthologies that I considered it. This was in 2004.

What is your current writing process like? That is, are you a plotter, a “pantser,” etc.? Do you set daily wordcount goals? And has that process changed at all throughout your career?

I am not a “pantser.” I definitely outline, but at a high level. I know the beginning, middle, and most importantly, the end. Part of this is because it is generally required when writing for licensed properties (although requirements for licensed properties are on the spectrum of detail from “almost no detail, just a pitch” to a strict chapter-by-chapter outline). Even with a strict chapter outline, there is a lot of room for creativity as I actually write the chapters, as additional inspiration inevitably hits while I am writing. And sometimes the chapters end up getting moved around as I write, and so forth. So, the outline is not a strict contract, but rather a demonstration that I know where I’m going in the end, even if the path of getting there deviates from the outline. As for your other questions, when I am deep in a writing project, I do set wordcount goals. My process has not changed much in the last twenty years, with the exception that within the last five years or so I occasionally dictate some portions of a novel; it speeds up my writing, but I’ve also noticed that more errors are introduced which I sometimes fail to catch despite intense proofing, so I am a bit gun shy right now about dictating too much.

You’re on your third novel for the Edgar Rice Burroughs Universe (the first being Tarzan: Battle for Pellucidar in the “Swords of Eternity Super-Arc” that launched the Edgar Rice Burroughs Universe (ERBU), and the second being Korak at Earth’s Core, the first book in your “Dead Moon Super-Arc”). I’d love to hear a bit about how you came to write for ERB Inc., and how you crafted your pitch for the “Dead Moon Super-Arc.”

Shortly before Christopher Paul Carey joined ERB, Inc. as Director (now VP) of Publishing, I pitched a Korak novel to CEO Jim Sullos, which was accepted. Once Chris joined, and outlined his plans for the ERBU, to be kicked off with the “Swords of Eternity Super-Arc,” it was a no-brainer that a Tarzan novel was needed for that launch. I reworked my Korak pitch into a Tarzan pitch which became Tarzan: Battle for Pellucidar. After that, Chris and I still really wanted to do a Korak novel. I explained my idea to him in person at PulpFest, to which he burst out laughing, and said, “Let’s do it!”

Philip José Farmer wrote an article originally published in ERB-dom No. 57, April 1972. His ideas were worked into his mock biography, Tarzan Alive. The article has also been republished in my collection Myths for the Modern Age: Philip José Farmer’s Wold Newton Universe (MonkeyBrain Books), Pearls from Peoria (Subterranean Press), and The Man Who Met Tarzan (Meteor House). The article is entitled “The Great Korak-Time Discrepancy” and deals with how Korak, the son of Tarzan, impossibly ages about eight-ten years between the ERB books The Beasts of Tarzan and The Son of Tarzan. Farmer proposes an explanation, and there is another branch of fandom that proposes a different explanation. You can read the article online here. The “Dead Moon Super-Arc” will present a third, in-universe explanation.

We also wanted to explore as-yet untouched (or relatively untouched parts) of Pellucidar, the hollow world at the Earth’s core, and decided that the Dead World and the Land of Awful Shadow would be great settings for this trilogy.

What challenges have you encountered in moving Burroughs’ classic characters forward in time and in expanding the ERBU while still remaining true to his spirit and Burroughs’ original timeline and characters?

Honestly . . . not many. The biggest challenge is ensuring that all the writers’ stories remain consistent with each other, with no contradictions. That is one of the big selling points of the ERBU: the novels, stories, and comics are consistent both in continuity and in character with what ERB wrote, but they are all also consistent with each other. It’s not difficult to portray these characters as honorable and heroic. Perfect? No, of course not. I had a good time portraying Korak as less than perfect, and yet still heroic.

Without spoilers, what can you tell us about the upcoming second “Dead Moon Super-Arc” novel, Pellucidar: Land of Awful Shadow?

Yes! It takes place mostly concurrently with Korak at the Earth’s Core (this was a technique Burroughs used; for examples, see the Pellucidar novels Tarzan at the Earth’s Core and Back to the Stone Age), in which it is mentioned that Rahnak and Kyrianji have set off into the Land of Awful Shadow in search of Rahnak’s mother, Suzanne Clayton. So, Pellucidar: Land of Awful Shadow is the tale of their adventure. Rahnak the Daring is the grandson of Korak, and thus the great-grandson of Tarzan! Kyrianji is a great Waziri warrior princess.

Along the way, they have many adventures in this weird Land of Awful Shadow as they struggle to get back to their friends and allies, including David Innes, with some important information. We’ll also get some insight into what happened to Suzanne (Tarzan’s granddaughter), who was mentioned in Korak at the Earth’s Core (her disappearance set off the events of that book).

It's a lot of fun because the book is probably eighty or more percent focused on characters I was privileged to create: Rahnak, Kyrianji, and Suzanne.

All the plotlines will come crashing together in the third book, Tarzan Unleashed. (You see … there’s really no way to “pants” this. 😊)

You also had a short story in the anthology Thrilling Adventure Yarns 2025, edited by Robert Greenberger. Tell us a little bit about that story and what inspired it.

It was an honor to be invited to contribute to that anthology, with such an awesome lineup of authors, and it was great to flex my short story muscles. My entry was a weird menace tale, bordering on occult, called “She-Devil of Paris.” It was very much a Sax Rohmer homage, and featured Irma Vep, the anti-heroine of a 1915–16 French serial in ten chapters called Les Vampires. (The Vampires are a criminal gang who terrorize Paris, not actual vampires.) But, as with most Rohmer stories, the main character isn’t really the one who appears more “on camera,” Irma Vep, but rather her antagonist, who in 1923 Paris is calling herself Astarte.

Finally, do you have anything else upcoming that you’re able to tell us about?

I do! After Tarzan Unleashed, I plan to write the fifth and final Secrets of the Nine novel, as yet untitled. You may recall that the fourth book, The Monster on Hold (cowritten with Philip José Farmer from his outline and including large sections of his prose), most of Doc Caliban’s plotlines were wrapped up. Caliban was the POV character, and Phil’s outline and plot did not include anything regarding Lord Grandrith. Therefore, we still have dangling plotlines regarding Grandrith going all the way back to A Feast Unknown, Lord of the Trees, and The Mad Goblin. Phil’s estate and agent have granted me permission to write a Lord Grandrith-centric novel (I’m sure Caliban will also make an appearance, but its Grandrith’s book) resolving all the plotlines. I want to be clear that we do not have anything in Phil’s files (“The Magic Filing Cabinet”) regarding a fifth book, so this will be solely by me. Believe me, I wish we did have notes or hints. The book will be published by Meteor House, with consistent trade dress, art, and design as seen on the other Secrets of the Nine books.

I also plan to finally return to Patrica Wildman and write more novella-length follow-ups to The Evil in Pemberley House and The Scarlet Jaguar. I’d like to write more Sherlock Holmes short stories, following up on “The Adventure of the Fallen Stone.” And I want to do a series of novels featuring Astarte in different time periods, from the Victorian era, to the 1930s, and perhaps even into the 1960s and ’70s.

Finally, Anthony, I want to thank you for the interview. It’s been quite a while since we’ve done this (2017!), and I appreciate it. I’m looking forward to seeing you at PulpFest 2025 / FarmerCon XX in August 2025!

It was my pleasure, Win! Always fun discussing writing and Phil and Burroughs and Star Trek and The Man From U.N.C.L.E and everything else we have in common. See you in a few weeks!

Readers, it is not too late to register for and attend Pulpfest 2025 (THE pulp magazine-focused convention in the Northeast) and the other three conventions it hosts: FarmerCon (dedicated to the works of Philip Jose Farmer), ERBFest (dedicated to the works of Edgar Rice Burroughs) and DocCon (dedicated to all things Doc Savage related). Check out the Pulpfest website.com/ for registration and hotel information!

Book Review: VICTORY HARBEN TALES FROM THE VOID

TITLE: Victory Harben: Tales from the Void

EDITOR: Christopher Paul Carey

436 pages, Edgar Rice Burroughs, Inc., ISBN 9781945462665 (paperback, hardcover, hardcover collector’s edition)

MY RATING:  5 stars out of 5

Victory Harben: Tales from the Void brings together under one cover the novellas featuring Victory Harben and her friends that appeared in the back of the novels that made up Edgar Rice Burroughs Inc.’s “Swords of Eternity Super-Arc” between 2020 and 2022, accompanied by a new novella seeing publication for the first time herein as well as interstitial first-person narration by the titular character that ties everything together.

A short bit of background, for those not familiar: When Edgar Rice Burroughs Inc. decided to launch a new series of canonical adventures of ERB’s famous (and not-so-famous) creations, they also decided to expand the canon with new characters tied to the classic ERB canon. Victory Harben is one of those characters: her mother, Gretchen Von Harben, first appeared in Tarzan and the Tarzan Twins; her uncle and grandfather first appeared in Tarzan and the Lost Empire; her father, Nadoc, is a denizen of Pellucidar; and her godfather, Jason Gridley, appeared in Tazan at the Earth’s Core, Back to the Stone Age, A Fighting Man of Mars, and Pirates of Venus, making him one of the first characters to appear in multiple ERB series. In fact, the “Swords of Eternity Super-Arc” kicks off with Gridley and Victory trying to solve a problem with the Gridley Wave, which allows for communication between Earth, Pellucidar, Mars and elsewhere, and being plunged (separately) into an unpredictable journey through time and space.

So this book was largely a “re-read” for me, of novellas I’d already encountered in other ERB books – but this time presented in the main character’s chronological order. It was fun revisiting these stories and seeing how they fit together. It’s a credit to the authors (Christopher Paul Carey, Mike Wolfer, Geary Gravel, and Ann Tonsor Zeddies) that each novella is eminently readable on its own – other than the question of “where will Victory (or Jason) go next?” there are no cliffhangers. Each novella has a solid beginning, middle, and end with all major plot points resolved.

As I have reviewed most of the novellas when I reviewed the novels with which they originally appeared (HERE, HERE, and HERE), I will concentrate the rest of this review on the new novella included herein, “Victory Harben and the Lord of the Veiled Eye,” written by Christopher Paul Carey (who also created Victory Harben and most of her supporting cast). The novella takes place after Victory has found a way to “force” her interstellar jumps (rather than waiting helplessly for them to happen), so perhaps a bit more than halfway into her timeline and introduces us to another new Burroughsian interplanetary society: one lead by a ruthless leader (the titular Lord of the Veiled Eye), a conqueror of planets and decimator of societies. Victory quickly finds herself, as usual, in a situation in which she does not have all the facts but must act on her instincts to discern good guys from bad guys and how to help. In addition to an intriguing new villain I suspect we have not heard the last of, Carey also introduces another strong woman (in the ERB tradition) with Axia of Ptarxes, a world coming under control of the Lord. The novella alternates thrilling action sequences with thoughtful ruminations on the nature of despots and the way they absorb and/or destroy native cultures.

If you’re not familiar with the extended Edgar Rice Burrough Universe and would like to get a good sense of its depth and breadth, Victory Harben: Tales from the Void is a great starter, as between Victory and Jason and another character, you get to experience more than one part of that universe: Pellucidar (the hollow Earth), Caspak (the land that time forgot), Va-Nah (the world inside the moon), the moons of Barsoom (Mars), and more. And you get to see the distinctive styles of several (but not all) of the authors currently expanding the ERBU.

I received an advance reading pdf of this book for free from the publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review. Victory Harben: Tales from the Void is currently up for pre-order on the Edgar Rice Burroughs Inc. website.

Book Review: A PRINCESS OF MARS: SHADOW OF THE ASSASSINS

TITLE: A Princess of Mars: Shadow of the Assassins

AUTHOR: Ann Tonsor Zeddies

314 pages, Edgar Rice Burroughs, Inc., ISBN 9781945462698 (paperback, hardcover, limited edition)

MY RATING:  5 stars out of 5

The Edgar Rice Burroughs Universe (or ERBU) continues to expand with Ann Tonsor Zeddies’ A Princess of Mars: Shadow of the Assassins, the first new canonical novel to truly feature Dejah Thoris in the main role since she was introduced in Burroughs’ first Barsoom novel (also titled A Princess of Mars) in 1911 (when it was originally serialized in All-Story magazine as “Under the Moons of Mars”). Despite the title, A Princess of Mars focused more on John Carter, the amnesiac and long-lived Earthman who is mysteriously transported to Mars and finds himself caught up in the political and existential crises of a world not his own, than it did on the titular Princess. Carter does meet and fall in love with Dejah Thoris, princess of the human city-state of Helium, and her scenes introduce us to a woman adept at statecraft, quick to make decisions, handy with weaponry, and not easily wooed/swayed by the presence of a handsome stranger.

People who have never read Burroughs, who rely only on the television and movie interpretations of his work from the 1950s and ‘60s to inform their opinion of him, are surprised to discover just how progressive (for his time) Burroughs was in writing his female characters. Dejah Thoris, Jane Porter, Duare of Amtor, Dian of Pellucidar, and so many others are not the wilting damsels-in-distress of so much media of the time. They are all strong, intelligent, proud women capable of not only getting into danger but rescuing themselves from it (as discussed in “The Women of Edgar Rice Burroughs” panel at Pulpfest 2024, as discussed in my post earlier this week).

Ann Tonsor Zeddies takes what we know of Dejah Thoris’ personality and history from the Barsoom novels she featured prominently in and delivers a prequel novel that shows us how she grew into the woman John Carter falls in love with. Dejah starts off the novel straining against her father’s (Mors Kajak, jed of Lesser Helium) reluctance to treat her like an adult. While her brother gets to go off on scientific expeditions, Dejah is expected to stay in Helium and await the wooing of suitors from the city’s warrior class. The unexpected arrival of an embassy from another city-state and the bad timing of an attack by a tribe of Mars’ green men conspire to place Dejah in the position of representing her father, and her city, at a series of Olympics-like games in the previously unheard-of city of Zor. (The timing of this novel, which so heavily features sporting competition and the awarding of honors for same, coming out amid the 2024 Summer Olympics may or may not have been planned by Edgar Rice Burroughs Inc. If it wasn’t, it is certainly fortuitous.)

Shadow of the Assassins is somewhat an origin story for Dejah Thoris. We get to watch her grow from a girl who thinks she knows everything to a woman who recognizes that to be a good leader, one must surround oneself with trusted and smart advisors – and not just be in their company, but also listen to them. She bungles her initial interactions with the Jeddak of Zor, Jan Vajo, and his sister Phortara, ignoring the advice of the older friend of her mother’s sent as adviser in Dejah’s retinue. She also takes ownership of her mistakes and strives to make amends – although almost too late – and in the end makes a series of decisions that not only save herself and her friends but also her embattled father.

Zeddies also crafts exciting, engrossing chase and fight scenes full of tension that alternate wonderfully with the scenes of courtly intrigue. Both the action scenes and the intrigue scenes work together to deepen and further the mystery Dejah Thoris must solve: what is really going on in Zor and how will it affect Helium?

Since this is a prequel, we know that Helium will be okay, but the threat still feels palpable. Few of the familiar characters from Burroughs’ original Barsoom novels appear outside of Dejah’s parents and grandparents. But there are winks at some of the friends and threats that appear in the Burroughs books and there are new characters introduced who add to the interesting tapestry of the Barsoom books without contradicting anything we already know and who hopefully will continue to appear as the ERBU grows.

The book also includes a new John Carter of Mars novella, “John Carter of Mars: Swords of the Mind,” written by Geary Gravel (who also wrote the ERBU novel John Carter of Mars: Gods of the Forgotten, part of the company’s “Swords of Eternity” Super-Arc, which I reviewed HERE). The novella is a sequel of sorts to Gods of the Forgotten as well as to Burroughs’ novel Thuvia, Maid of Mars, but you do not have to have read either novel to enjoy this novella. John Carter discovers that his son Carthoris is missing and goes to investigate. An old threat is found to not only still be active but also stronger in power. Geary expertly weaves together and extrapolates from Burroughs’ concepts to expand the mythos with new dangers. And to introduce a new character! One of the things I’ve enjoyed about the new ERBU books is the introduction of the “next generation:” Suzanne Clayton (granddaughter of Tarzan), Victory Harben (daughter of Gretchen von Harben), Janson Gridley (son of Jason and Jana), and now Djon Dihn (son of Carthoris and Thuvia). Burroughs had no problem extending the family trees of his characters (having given us Korak, son of Tarzan, and Carthoris and his sister Tara, children of John Carter and Dejah Thoris), and I think he’d be happy to see the way that tradition is being carried on in the new spate of canonical ERBU books.

I hope this is just the first of several Dejah Thoris prequel novels from Ann Tonsor Zeddies, who also wrote the novella “Victory Harben: Stormwinds of Va-Nah.” I am excited to see where she’ll take Dejah and her new friends next, in the years between this book and A Princess of Mars.

I received an advance reading pdf of this book for free from the publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review. A Princess of Mars: Shadow of the Assassins can be pre-ordered now (in paperback, hardcover, and limited-edition collector’s hardcover versions) at the Edgar Rice Burroughs Incorporated website.

PULPFEST 2024 Report

Those who follow me on Instagram or are friends with me on Facebook know that I spent this past weekend (actually, 5 days: July 31 to Aug 4) at Pulpfest in Cranberry, Pennsylvania. Pulpfest is a convention dedicated to the pulp magazines of the early 20th century (so called because they were printed on pulp/newsprint paper as compared to the “slick” magazines). It’s a convention I look forward to every year, probably my favorite. (Yes, I also love Readercon, held in Quincey, Massachusetts in July, but for different reasons.)

Before I talk about why I love Pulpfest so much and tell you a bit about this year’s convention, allow me to present you with a photo featuring every pulp magazine I own:

Yes, that’s it. Five pulp magazines. One issue of Startling Stories (which happens to include stories by the great Robert Bloch and also John Broome); one issue of Doc Savage (including the novel The Flaming Falcons); three issues of Planet Stories (one of which has a story by Fredric Brown, another of which has a short novel by Gardner F. Fox). And I am perfectly fine with the fact that I only own five pulp magazines, none of them in any salable condition (in fact, they were all gifts from a friend, duplicates of his own collection).

So why go to a convention dedicated primarily to pulp magazines, if I don’t collect pulp magazines?

Camaraderie.

See, Pulpfest is really three conventions in one. While the focus of Pulpfest panels is the preservation of the history of pulp magazines in all their multi-genre splendor (pulps ranged from romance/spicy to horror, adventure, mystery, western, science fiction, fantasy, and probably some genres I’m forgetting, to the “single character” pulps (both heroic, like The Shadow, The Avenger, and Doc Savage, and the villainous, like Doctor Satan.)), they also have welcomed FarmerCon (dedicated to celebrating the work of Philip Jose Farmer) and ERBFest (dedicated to celebrating the work of Edgar Rice Burroughs). And next year (2025), Pulpfest will expand to being “FOUR conventions for the price of one!” with the addition of DocCon, celebrating Doc Savage.

I started going to Pulpfest because of FarmerCon. I’d been online friends for quite a few years with a group of fans of Philip Jose Farmer and was finally convinced to meet them in person when Pulpfest relocated from Columbus, Ohio to Pittsburgh (Cranberry) Pennsylvania around 2018. I could (and will, one of these days) write an entire post, or even series of posts, about how Phil Farmer’s books (most notably, his fictional biographies of Tarzan and Doc Savage) inspired and intrigued me. Among the group of Farmer fans, I am easily the least knowledgeable about Farmer and his works. But that’s okay, they don’t hold it against me. They welcomed me with open arms, and I absorb their knowledge (and their book recommendations and writing advice) eagerly. These people have become more than friends (and far more than just online acquaintances) over these past few Pulpfest/FarmerCons.

Many of the FarmerCon folks are also big fans of Edgar Rice Burroughs – another relatively early influence on me (thanks in part to an adult neighbor who lent me some of the novels after seeing me reading some Marvel and DC Tarzan and John Carter of Mars comics), and another author about whom I am the least knowledgeable among our friend group when we gather. (See above for why I’m fine with that.) This year, it was decided to hold an ERBFest as part of Pulpfest, including the 2024 Dum Dum Banquet (if you’re fan of the Tarzan books, you know why it’s called that).

Many of the FarmerCon and ERBFest folks are also big fans of Doc Savage. You see where this is going – lather, rinse, repeat the above.

I LOVE (yes, in all caps) just hanging out and talking with all of these people in the hotel lobby until way later than is healthy for me, as well as attending panels and dinners and wandering the dealers’ room having conversations with the people I know, and people I’ve never met before. I usually don’t stop smiling and laughing the whole time I’m there unless I’m sleeping. These folks are “good medicine,” as my father used to say.

The panels I attended this year included:

·       “The Women of Edgar Rice Burroughs,” where panelists Cathy Mann Wilbanks (Vice-President of Operations at Edgar Rice Burroughs Inc.) and Bernice Jones discussed both the real women in Burroughs’ life (his mother, daughter, and two wives) and the strong, independent, progressive-for-the-time women in his fiction (Jane Porter Clayton, wife of Tarzan; Dejah Thoris, wife of John Carter of Mars; Duare, wife of Carson of Venus; Maggie Lynch, the main character of Burroughs’ novel The Girl From Farris’s; and many others). If there was one complaint from the attendees, it was that the panel wasn’t long enough to cover all of the strong, capable female characters Burroughs created (notable absences: Meriem, wife of Korak (son of Tarzan); Betty Caldwell and Llana of Gathol (from the John Carter books); and Virginia Maxon (from Burroughs’ The Monster Men).

·       “Flinch!Fest,” focused on current and recent releases from small press publisher Flinch! Books, during with Flinch co-publishers Jim Beard and John C. Bruening read passages from their stories in the western anthology Six Gun Legends, Bruening’s novel The Midnight Guardian: Gods and Sinners, and the Flinch anthology Quest for the Space Gods: The Chronicles of Conrad von Honig, which led into panel guest Brian K. Morris reading from the newest Flinch release, Quest for the Delphi Occulus, which Morris wrote for the press and which also features Conrad von Honig.

·       “The Universe According to Edgar Rice Burroughs,” during which ERB Inc Vice-President of Operations Cathy Mann Wilbanks and Vice-President of Publishing / Creative Director Christopher Paul Carey were joined by Joe Ferrante, one of the producers of the upcoming John Carter of Mars: the Audio Series (currently funding on Kickstarter), to discuss the audio project (including a video message from Sean Patrick Flannery, who will be voicing John Carter)  before launching into announcements of the next slate of ERB Universe books (including a new Land That Time Forgot novel, Fortress Primeval, by Mike Wolfer in 2025, as well as the very soon to release A Princess of Mars: Shadows of the Assassins by Ann Tonsor Zeddies (the first full length Dejah Thoris novel) and several projects featuring Victory Harben), as well as the next slate of books in the Edgar Rice Burroughs Authorized Library.

·       “Farmercon XIX Panel,” moderated by Keith Howell, during which Meteor House Press publishers Paul Spiteri and Win Scott Eckert discussed the recent Meteor House releases of The Full Account (which combines, in alternating chapters, Jules Verne’s Around the World in 80 Days with Philip Jose Farmer’s The Other Log of Phileas Fogg, which tells the same story from a different, more science fictional, angle) and the Secrets of the Nine Omnibus (which brings together under one cover Farmer’s A Feast Unknown, The Mad Goblin, and Lord of the Trees, as well as some connected short stories and essays by Eckert, Frank Schildiner, and others). They were joined by Meteor House author Sean Lee Levin, who talked about his non-fiction release Crossovers Expanded: The Secret History of the World Volume 3 as well as his fiction debut chapbook The Lazarus Cabal.

Sadly, due to my own poor scheduling, I had to miss several panels, including “Burroughs, Farmer, and Pulp,” in which author Craig McDonald interviewed one of my favorite artists, Douglas Klauba, about his work on various book covers for Edgar Rice Burroughs Inc and Meteor House. I would have loved to listen to Doug talk about his process.

I also got to see the world premiere of We Are Doc Savage, a documentary about Doc Savage fandom directed by Ron Hill, which will soon be making the film festival rounds. I readily admit I teared up several times, and finished the documentary thinking not only how wonderful Doc Savage fandom is in general and how the Doc Savage stories have influenced so many people but also thinking “Damn, I know some really incredibly cool and wonderful people,” since so many of my friends were interviewed for the film.

And of course, I bought stuff. Too much stuff. No pulps, but a lot of paperbacks, some hardcovers, two art prints (one by Doug Klauba, the other by Mark Wheatley), some comics, and a small pile of DVDs. On the vintage paperback side, I made progress filling in some series I’m re-collecting (including Dark Shadows and The Man from U.N.C.L.E.) and started (and possibly completed) two more (Strange Paradise and Mathew Swain). I also found a first edition hardcover of the novelization of Miracle on 34th Street. And I bought current releases from the tables of small press publishers Flinch! Books, Becky Books, Stormgate Press, Edgar Rice Burroughs Inc., and Meteor House, as well as from authors Craig McDonald and Brian K. Morris. If you’d like to see pictures of everything I purchased, head on over to my Instagram page.

I could go on and on about the dinner time and late-night conversations; there were SO MANY in-jokes, and so many instances of just basking in friends talking about the things they love. But this post is already way longer than my usual.

Pulpfest 2024 is over … but Pulpfest 2025 (including Farmercon XX, ERBFest, and DocCon!) is a mere 53 weeks away: Thursday, August 7th through Sunday, August 10th, 2025, at the Doubletree by Hilton in Cranberry, PA. Join us!

Book Review: KORAK AT THE EARTH'S CORE

TITLE: Korak at the Earth’s Core (Dead Moon Super-Arc #1)

AUTHOR: Win Scott Eckert

306 pages, Edgar Rice Burroughs, Inc., ISBN 9781945462634 (hardcover, softcover, collector’s hardcover)

MY RATING:  5 stars out of 5

MY THOUGHTS: Win Scott Eckert returns to the world of Pellucidar with his latest novel in the Edgar Rice Burroughs Universe (ERBU) series, Korak at the Earth’s Core. This new installment is every bit as action-packed, immersive, and character oriented as Eckert’s Tarzan: Battle for Pellucidar, and while it picks up some subplot threads from that novel it is the start of a new storyline. It also begins to address a number of questions the Master, Edgar Rice Burroughs, left unanswered in the original Tarzan and Pellucidar novels, including the mystery of life on Pellucidar’s stationary pendant moon as well as what Philip Jose Farmer called “the Great Korak Time Discrepancy.”

The action takes place about twenty years after Tarzan: Battle for Pellucidar. Tarzan’s granddaughter, Suzanne, has been living in Pellucidar since the events of that book, has taken a mate and had a child – and has gone missing in the Land of Awful Shadow underneath the pendant moon. Korak and Meriem, Suzanne’s parents, immediately (but separately) head to the Hollow Earth to search for her. Eckert wonderfully juggles chapters from both characters’ perspectives as their searches take them across the breadth of Pellucidar. They encounter a variety of familiar and new deadly Pellucidarian wildlife and equally dangerous new civilizations, and Eckert details the battles with his usual distinct action style. Quite a few pulse-pounding moments for both characters, as well as for the crew of the airship O-220.

But what I really appreciated about the book is Eckert’s focus on the two main characters, and how they are both similar to and different from their predecessors.

Korak may be the son of Tarzan and have his father’s survival skills and enhanced strength and love of wildlife – but he is NOT his father in terms of temperament and life experience. Eckert draws on Korak’s childhood abandonment issues and his adult experiences as a soldier in World Wars One and Two to create a complex exploration of the Post-Traumatic Stress Disorder (PTSD) that so many of those who experienced childhood neglect and/or wartime service have suffered from. Korak’s PTSD, which has been under control for years, comes roaring back while he is in Pellucidar, and Eckert hints at complexities that I’m sure will be explored deeper in this book’s sequels.

Likewise, in some hands Korak’s wife Meriem could simply be portrayed as “Jane Porter redux.” But she is so much more than that. Both are strong-willed women who are the equals of the men they love, capable of taking charge of situations and surviving harsh environments. Neither woman is so in love with their men that they are blind to or forgiving of their spouses’ foibles; for instance, when they learn of Suzanne’s disappearance, Korak and Meriem are at separate places on the surface world and Korak charges off to Pellucidar without his wife. Meriem eventually forgives, but does not forget, his rash hotheadedness. Meriem’s survival skills are different from Jane’s, thanks to their different upbringings, and come well into play in Meriem’s chapters.

Ultimately, Korak and Meriem and the characters traveling with them (and oh, I could probably write an essay on those supporting characters and how they enhance the narrative; I will simply say it’s a joy to see Suzanne’s mate Lordan again, and to see ERB’s Betty Calwell playing an ongoing major supporting role across the new ERBU books) come together for the novel’s dramatic denouement. The final scenes of the book tie the subplots of the novel together but still leave some questions to be answered – which makes sense as this is the start of a new trilogy, the “Dead Moon Super-Arc.” I am excited to see where Eckert takes Korak, Meriem, Lordan, Akut, Betty, and the rest in the second installment.

The book also comes with a bonus novella written by ERB Inc. Vice President of Publishing Christopher Paul Carey, “Dawn of the Deathslayer.” This novella stars Janson Gridley, another second (or is it third?) generation character introduced in the previous ERBU series (the “Swords of Eternity Super-Arc”) who I’ve been hoping to see more of. Janson explores another previously unexplored part of Pellucidar and meets a new character, Darva the Shadow, and her tribe. The novella does a wonderful job bringing in this new character and giving us insight into where Janson Gridley has been since his experiences in the novel Victory Harben: Fires of Halos. I’m looking forward to seeing both characters turn up in future ERBU novels. Maybe they’ll even get a book of their own at some point.

I received an advance reading pdf of this book for free from the publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review. Korak at the Earth’s Core publishes in late March and can be pre-ordered on the publisher’s website.

Book Review: VICTORY HARBEN: FIRES OF HALOS

TITLE: Victory Harben: Fires of Halos

AUTHOR: Christopher Paul Carey

404 pages, Edgar Rice Burroughs Inc., ISBN 9781945462498 (hardcover, paperback, collector’s edition hardcover)

MY RATING: 5 stars out of 5

SHORT REVIEW: Victory Harben: Fires of Halos, written by Christopher Paul Carey, is classic Edgar Rice Burroughs interplanetary adventure from start to finish, a worthy continuation of the first true interconnected universe in fiction. Victory Harben is a new character in that universe, every bit as smart, sassy, resilient and strong as Burroughs’ own Jane Porter, Dejah Thoris and Duare, all of whom were easily a match for the men in whose books they appeared. The novel is non-stop action that takes our heroine from a setting most Burroughs fans are intimately familiar with, Pellucidar, to one fans may be less familiar with, the Omos star system of one of Burroughs’ final books, the short novel Beyond the Farthest Star. Carey’s facility with creating alien worlds, societies, and wildlife is wondrous and perfectly Burroughsian, as Victory navigates her way through as many near-death encounters as her forebears Carter and Carson. The interplanetary roller-coaster leads to a well-earned finale that wraps up the major threads of the novel nicely while leaving plenty of room for future Victory Harben novels. Burroughs fans both life-long and intermittent will not be disappointed.

LONGER REVIEW: Victory Harben: Fires of Halos is a landmark book in the history of Edgar Rice Burroughs, Inc. for several reasons. First, it brings to a conclusion the first set of new officially canonical Edgar Rice Burroughs Universe books released since the Master of Adventure died in 1950 and the last of his original works was released (barring a Tarzan novel later completed by Joe Lansdale). Yes, there have been plenty of novels and comic books released in the decades since featuring Burroughs’ most well-known characters, many of them published in recent years by ERB Inc directly, but it is only in the past few years that the company has started declaring certain novels as official additions to the Canon, based on how closely those books hew not just to the timeline of Burroughs’ original works but also the style, pacing and intent. Tarzan novels by Fritz Lieber and Philip Jose Farmer released in the 1970s have been officially canonized, along with Pellucidar novels by John Eric Holmes – and of course the four novels that comprise the “Swords of Eternity Super-Arc,” of which Fires of Halos is the final installment.

Victory Harben: Fires of Halos, written by Christopher Paul Carey, is classic Burroughs interplanetary adventure from start to finish. It opens with the author, at work in the ERB offices in Tarzana, California, receiving a message sent across space and time by Victory Harben, ready to relate her latest adventure for his transcription and fictionalization (to cover up details the world isn’t ready to know or believe yet) – just the way Burroughs received such messages from John Carter and Carson Napier among others. Told in first person narration by Victory Harben after that brief introduction, the novel is non-stop action that takes our heroine from a setting most Burroughs fans are intimately familiar with, Pellucidar, to one fans may be less familiar with, the Omos star system of one of Burroughs’ final books, the short novel Beyond the Farthest Star. There are stops in locales familiar (Barsoom!) and new (Kjarna! Zandar! Both of which I hope we’ll see more of in future novels). Carey’s facility with creating alien worlds, societies, and wildlife is wondrous and perfectly Burroughsian, as Victory navigates her way through as many near-death encounters with wild animals and angry aliens as her forebears Carter and Carson. The interplanetary roller-coaster leads to a well-earned finale that wraps up the major threads of the novel nicely while leaving plenty of room for future Victory Harben novels.

The second reason Victory Harben: Fires of Halos is a landmark novel in the publisher’s history is that it is the first new canonical novel to headline a character not created by Burroughs himself. Part of ERB Inc’s current efforts to revitalize the ERB Universe includes expanding it to include new characters with connections to the classic Burroughs creations. In her previous novella and comic book appearances, we’ve seen Victory study under Tarzan, Jason Gridley, David Innes and Abner Perry as well as encounter Caspak (The Land That Time Forgot) and Carson of Venus. And of course her mother, uncle, and grandfather are all characters who first appeared in supporting roles in various Tarzan novels. The three previous novels in the “Swords of Eternity Super-Arc” featured Carson of Venus, Tarzan, and John Carter, but here Victory gets the spotlight. And make no mistake: she is a character in the classic Burroughs mold – as smart, sassy, resilient and strong as Burroughs’ own Jane Porter, Dejah Thoris and Duare, all of whom were easily a match for the men in whose books they appeared. Victory Harben as a character is a terrific addition to the ERB Universe, a character I am sure we’ll see taking the lead in many more novels.

The book is rounded out with “Rescue on Zandar,” a novella by Mike Wolfer that further expands the ERB Universe by giving us the back story of Tii-Laa, a native of Zandar who first appeared in the recent ERB comic mini-series Beyond the Farthest Star: Warriors of Zandar alongside Victory Harben. In the novella, we get a Tii-Laa who is only just starting to realize how different she is from the rest of her race. Her confusion about being different and not fitting in, her defiance of constrictive societal norms, and her self-acceptance infuse the story with a modern feel without detracting from the classic Burroughs pulp-adventure pace. (And again, the pace is rapid-fire, with several interesting new creatures to survive encounters with.)

I have tried to keep this review as spoiler-free as possible while still hopefully getting across the sheer fun, excitement, and yes, importance, of the book. Burroughs fans both life-long and intermittent will not be disappointed in Victory Harben: Fires of Halos.

I received an advance reading pdf of this book for free from the publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review. Victory Harben: Fires of Halos is due out in November, and can be pre-ordered in hardcover, collector’s edition hardcover, or trade paperback editions directly from the Edgar Rice Burroughs Inc website.)

Book Review: TARZAN AND THE FOREST OF STONE

TITLE: Tarzan and the Forest of Stone

Author: Jeffrey J. Mariotte

178 pages, Edgar Rice Burroughs Inc., (collectors edition hardcover, standard hardcover, trade paperback)

DESCRIPTION: (from the back cover): Part of the Edgar Rice Burroughs Universe series.
After Tarzan departs Southern California following a visit with a dear friend, bandits mysteriously dressed as cowboys straight out of the Old West waylay his train and make off with a precious Native American artifact—taking the daughter of relic’s owner hostage in the process. Now Tarzan must set off on foot from the wrecked and twisted ruins of the train in pursuit of the criminals, making his way across the American Southwest, a land as different from his beloved jungle homeland as can be imagined. But even as Tarzan closes in on his prey, a ruthless killer follows close at his heels, intent on bringing an end to the legendary Lord of the Jungle once and for all.

MY RATING: 5 out of 5 stars

MY THOUGHTS: Jeffrey J. Mariotte’s new novella Tarzan and the Forest of Stone puts the famous Lord of the Jungle into a decidedly different environment – the Arizona desert near the Petrified Forest – testing his vaunted brains and brawn in a tale that is part western, part gangster novel, and all classic Burroughs.

Mariotte clearly understand what makes Tarzan such a compelling character. He utilizes the “ape-man’s” respect for all life (human and animal), discomfort with the trappings of “civilization,” and willingness to accept the seemingly impossible as reality to propel the action as much as Tarzan’s physical prowess and analytical skills. Which is not to say there aren’t action sequences: there are, and they are as exciting and dynamic as a Burroughs fan would expect. But they are perfectly counter-pointed by chapters of Tarzan tracking his prey and reveling in the natural world around him – including his interactions with a puma and a wild stallion.

Of course, Tarzan isn’t the only character in the book. Mariotte adds another strong female character to the canon in Alexandra Concannon, who is no damsel in distress or love-sick unrequited love interest. She’s a smart and capable woman who faces each new crisis with an “I’ll find a way out of this” attitude. Mariotte also gives considerable depth to the main villain of the piece, about whom I will say no more because I think he’s a character that needs to be met and experienced without preconceptions. There are several interesting/intriguing secondary characters to round things out, including Alexandra’s grandfather, a mysterious Native American, and of course the “old friend” living north of Hollywood who Tarzan visits at the start of the novella.

Mariotte obviously loves the western/weird western genre and blends it well with the classic Burroughs structure, and the story he sets out to tell works very well at novella length. The pace is fast without glossing over any part of the characters’ journeys, detailed enough to keep the setting firmly in mind without slowing the book down. My only complaint, and it’s a minor one, is that one question about the bad guy’s motivations seems to me to go unanswered: who hired him. His patron’s identity is hinted at, but if the clues are supposed to lead to a particular known character, I didn’t pick up on it.

Tarzan and the Valley of Stone will be available in hardcover, paperback, and collectors edition hardcover sometime in June.

I received an uncorrected proof pdf of this book for free from the publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.

SERIES SATURDAY: Warriors of Zandar

This is a blog series about … well, series. I love stories that continue across volumes, in whatever form: linked short stories, novels, novellas, television, movies, comics.

Beyond The Farthest Star: Warriors of Zandar

Publisher: American Mythology

Publication Date(s): 2022

Writer/Editor: Mike Wolfer

Pencils and Inks: Allesandro Ranaldi

Colors: Arthur Hesli

Letters: Natalie Jane

Last week on Series Saturday, I reviewed American Mythology’s recent four-issue mini-series Pellucidar: Across Savage Seas featuring Gretchen Von Harben, the first of two comic book series officially considered canonical Edgar Rice Burroughs Universe entries. Beyond The Farthest Star: Warriors of Zandar is the second of those series, and stars Gretchen Von Harben’s daughter Victory Harben.

Over the past two years, readers of the “Swords of Eternity Super-Arc” series from Edgar Rice Burroughs Inc. (Carson of Venus: The Edge of All Worlds by Matt Betts; Tarzan: Battle for Pellucidar by Win Scott Eckert; and John Carter of Mars: Gods of the Forgotten by Geary Gravel) have been introduced to Victory, learned a bit about her childhood, and bore witness to a few of her many adventures bouncing through space and time thanks to an accident involving the Gridley Wave that allows those in Pellucidar to communicate with the surface world. Beyond the Farthest Star: Warriors of Zandar is another of those space-and-time-bouncing adventures, in which Victory finds herself on the far-off titular planet and smack in the middle of a battle between two races: the peaceful Ki-Vaas and the brutal Keelars. As usual, the out-going and gregarious Victory makes a new friend almost immediately, which pulls her further into the local conflict: the Keelars are harvesting the Ki-Vaas and subjecting them to a device that extracts and saves the life-force of anyone placed in it.

Writer Mike Wolfer paces the main story – Victory and her friend’s attempts to rescue the captive Ki-Vaa and stop the Keelars – pretty perfectly across the four issues, once again easily matching Edgar Rice Burroughs’ prose style in comic book form. Complications abound before Victory and her compatriots solve the problem at hand, but there is a resolution to the main story. We also get a nice look into Victory’s character: her sense of social justice, her willingness to do the right thing even at great personal peril, her open-hearted nature. In Wolfer’s hands, Victory Harben continues to be a character I want to know more about and want to see in adventure after adventure.

There are some unresolved secondary plots, but as this is definitely not Victory’s final adventure I’m not concerned that they will remain unresolved for long. I am intrigued by references to the Keelar’s unseen master “The One from Above,” a figure who remains mysterious and unseen even in the final issue of the mini-series. I’m also wondering just how long Victory will remain on Zandar and whether this world will also be the setting for Christopher Paul Carey’s upcoming novel Victory Harben: Fires of Helos, which is the final installment in the “Swords of Eternity” Super-Arc mentioned above.

Wolfer also does a wonderful job, mostly via dialogue that doesn’t feel like an info-dump and never feels out of character, conveying the differences between the Ki-Vaa and Keelar societies. Burroughs, in his Mars and Venus books especially, was known for making sure his alien planets were populated with a diversity of physical and societal types where so much science fiction of the time (and even in the more recent past) took the short-cut of having homogenous planet-wide societies. The latter may make for easier storytelling, but it also feels a bit unrealistic.

Allesandro Ranaldi’s artwork is highly expressive and really conveys the alien nature of the planet Victory has found herself on. Wolfer conveys via dialogue the differences between the two societies, and Rinaldi shows us the very large difference in physicality. The Ki-Vaa are humanoid but distinctly not human, while the Keelar are blockier, for lack of a better term. (It’s probably not intentional on the part of the artist, but the Keelar remind me of shorter, hairless versions of Looney Tunes character Gossamer.) Arthur Hesli’s colors make this new world pop.

Victory Harben is not the only connection between this series and the greater canonical Edgar Rice Burroughs Universe: the planet Zandar is in the same solar system as Poloda, the planet introduced in the novel Beyond the Farthest Star (hence the lengthy title of the mini-series). Farthest Star is one of my favorite Burroughs novels. We’ll never know what Burroughs intended for Tangor, the hero of the novel, or Poloda or the solar system as a whole – but ERB Inc. clearly has plans for them. Victory Harben is, I think, the ideal character to bridge the gap between Farthest Star and the rest of the canonical ERBU.

SERIES SATURDAY: Pellucidar: Across Savage Seas

This is a blog series about … well, series. I love stories that continue across volumes, in whatever form: linked short stories, novels, novellas, television, movies, comics. It’s been on hiatus for a while, but returns this week with the first of two posts about new content from Edgar Rice Burroughs, Inc.

Pellucidar: Across Savage Seas,

Publisher: American Mythology, 2022 (in conjunction with Edgar Rice Burroughs, Inc.)

Story: Christopher Paul Carey

Writer/Editor: Mike Wolfer

Pencils and Inks: Miriana Puglia

Colors: Periya Pillai

Letters: Natalie Jane

In Pellucidar: Across Savage Seas, Gretchen von Harben (all grown up her from last appearance as a twelve-year-old girl in Edgar Rice Burroughs’ Tarzan and the Tarzan Twins) narrates to an unseen audience her first visit to Pellucidar, the hidden world at the Earth’s core. Accompanying adventurer Jason Gridley on the airship Favonia as a college student, Gretchen is knocked loose when the Favonia is attacked by a flock of pterosaurs. She parachutes to a remote, uncharted island with only a pistol and limited ammo. There she encounters beings fans of the Pellucidar books will recognize (human Gilaks and ape-like Sagoths) as well as entirely new races that this series adds to the official Burroughs canon (Kratalaks and Azlaks). Gretchen faces a lot of peril over the course of four issues, and in the tradition of the strong female Burroughs characters who have preceded her (Jane Porter-Clayton, Dejah Thoris, Duare, and more), she more than rises to the occasion. This may be Gretchen’s first recorded adventure as an adult, but I certainly hope it’s not the last. She’s an engaging and dynamic character who deserves to be featured (along with the supporting cast that’s been built around her) in many more stories.

Christopher Paul Carey crafted the general story of Gretchen’s first adventure in Pellucidar, originally intending it to be a novel. Writer Mike Wolfer did a wonderful job converting the story to comic book form, pacing the story perfectly across four issues. Fewer issues would have rushed the story too much, and I think five or six issues would have padded the story out too much. Reading the series as it was issued in monthly (or as close to monthly as the publisher could get given various supply chain issues plaguing small independent publishers these days), I was very satisfied with where each issue left off – cliffhangers, of course, as befits a story that could easily have been told as a classic 1940s movie serial – and never felt like the drama of the end of a chapter was unearned. Carey is a Burroughsian scholar of the highest level, and Wolfer matches him well in creating a story that Burroughs would be proud of. For instance, I have no idea how much of the dialogue was in Carey’s original plot, how much the writers crafted together, and how much is purely Wolfer – but regardless, each character’s voice is distinctive and clear while still being perfectly Burroughsian in style.

Complimenting the writing, Miriana Puglia’s artwork is wonderful. Her clean lines and fluid body language convey action and emotion with equal clarity. Fight scenes have a flow and symmetry that makes them easy to follow, and upon multiple reads tiny details stand out. And when it’s time to go creepy (as one almost inevitably must when adventuring in Pellucidar), Puglia absolutely rises to the occasion. There’s one particular page in issue 4, for example, which made me a bit nauseous (trust me, this is a compliment.). Colorist Periya Pillai keeps the action well-lit with a mix of bold and quiet colors as appropriate to the scene; even moments in dark caves or underwater are easy to follow because Pillai’s colors don’t go so dark that they subsume Puglia’s art.

In recent years, Edgar Rice Burroughs Inc. has made a concerted effort to expand the official canon of the ERB Universe with new novels and comics series like this one, that bear the “Edgar Rice Burroughs Universe” banner across the top of the cover as well as an “Official ERB Universe Canon” stamp and hew as closely to Burroughs’ original interconnectedness universe as possible. In the novels of the current “Swords of Eternity” Super-Arc, readers have been introduced to an intrepid young woman traversing time and space named Victory Harben. Yes, there’s a direct connection between the Gretchen von Harben of Pellucidar: Across Savage Seas and the Victory Harben who has been appearing in those novels: it’s not a spoiler to reveal here that Victory is Gretchen’s daughter and is the person to whom Gretchen is narrating this story. Along with appearing in the novels/novellas already released, Victory will take center stage in her own novel later this year – but before that, she’s also been the star of another American Mythology / ERB Universe comic book mini-series: Beyond the Farthest Star: Warriors of Zandar, which will be the subject of next week’s Series Saturday post.

Review of TARZAN: BATTLE FOR PELLUCIDAR

TITLE: Tarzan: Battle for Pellucidar (Swords of Eternity Super-Arc #2, Edgar Rice Burroughs Universe)

AUTHOR: Win Scott Eckert

312 pages, Edgar Rice Burroughs Inc., ISBN 978194562269 (paperback, hardcover, limited hardcover, ebook)

DESCRIPTION: (from Goodreads): Tarzan of the Apes, Jason Gridley, and the crew of the airship O-220 return to Pellucidar, the world at the Earth’s core, on a wartime mission to stop the Nazis from obtaining a powerful superweapon. But when the Lord of the Jungle’s murderous adversaries partner with the Mahars—Pellucidar’s routed reptilian overlords—and his adventurous granddaughter Suzanne goes missing on a reconnaissance mission, can Tarzan prevent the conquest and enslavement of all humanity in both the inner and outer worlds? 

Bonus Novelette: “Victory Harben: Clash on Caspak” by Mike Wolfer: Hurled through time and space from her homeworld of Pellucidar, Victory Harben plummets into peril when she finds herself on the island continent of Caspak, the Land That Time Forgot. Using skills learned from her friend Tarzan and the Stone Age land of her birth, Victory fights for her very survival against savage beasts and uncanny Wieroos, the winged humanoid terrors of Caspak. But that is only the beginning of her trials, as a strange visitor arrives with an omen of Victory’s role in the machinations of the Swords of Eternity super-arc!

MY RATING: 5 out of 5 stars

MY THOUGHTS:

Note: I reviewed this book via an electronic Advance Review Copy. The book will be published in October by Edgar Rice Burroughs, Inc.

Edgar Rice Burroughs wrote 24 Tarzan novels (25 if we include Tarzan and the Tarzan Twins, which would now be considered a “middle grade” novel, I think, or 26 if we include Tarzan: The Lost Adventure, which Joe Lansdale completed from a manuscript started by Burroughs), and six Pellucidar novels. Burroughs virtually created the idea of fictional universes, linking his various series in ever-inventive ways to create a consistent whole. (See for instance the novel Tarzan at the Earth’s Core, in which the Jungle Lord visits the Hollow Earth for the first time.) Over the years since Burroughs’ passing, the Burroughs Estate has “authorized” quite a lot of novels featuring Tarzan, John Carter, Carson Napier, and other Burroughs creations. But only recently has the estate, through Edgar Rice Burroughs Inc., decided to issue new works tied intimately enough to the detailed chronology and characterizations of the original books to be considered “canonical” (as compared to merely “authorized.”)

So how does one approach reading a new canonical novel that once again ties two of Burroughs’ most well-known series together, especially if that book is also the second title in a new “super-arc” connecting even more of Burroughs’ original creations? Must one read all of the Tarzan and Pellucidar novels before opening the cover of Win Scott Eckert’s Tarzan: Battle for Pellucidar?

I am happy to report the answer to that question is “no.” I have read only a small handful of the original Tarzan novels and none of the Pellucidar series. Tarzan at the Earth’s Core is not one of the handful of Tarzan novels I have read. Despite these holes in my Burroughsian reading history, I loved this book and was fully engaged with the characters and plot throughout.

Win Scott Eckert has not only crafted a novel that is true to the character of Tarzan as detailed by Burroughs in the original novels (versus what we see in most movie/television versions), he’s given us a novel that is an excellent jumping-on point for readers who are new to Tarzan, to Pellucidar, or to both. There was not a moment in this book where I felt like I was missing out on vital information by not having read the originals. And even though this is the second book in the new Edgar Rice Burroughs Universe “Swords of Eternity super-arc,” one does not have to have read the preceding release (Carson of Venus: The Edge of All Worlds, written by Matt Betts) to jump into this one. Like Burroughs himself, the new ERBU writers are working hard to make every book accessible on its own. Eckert does this by having characters reminisce about previous exploits in just enough detail to fill new readers in without derailing the momentum of the current story, supplemented by footnotes letting the reader know where to go to read the original stories.

Eckert gives us the Tarzan I remember from the few novels I’ve read and from the DC and Marvel comics of the late 70s: imposing, multi-lingual, a strategist when called for and a brute force when appropriate, a man who loves his family and will do anything to protect them, a man who can fit with “polite society” but who always has “the beast” simmering under the surface. Here, he is the focal point around whom everything else orbits, the most compelling character in a cast of compelling characters. The best Tarzan writers understand how to use the Jungle Lord’s personal dichotomies to propel a story, and Eckert proves here that he is among the best.

Eckert also does a wonderful job incorporating the setting of Pellucidar into the novel almost as another character. I’m intrigued by the way time does/doesn’t move in the “hollow Earth,” and how the landscape and stationary sun and moon influence the way characters think and react. I really cannot wait to go back and read the Burroughs originals as well as the soon-to-be-rereleased (by ERB, Inc.) authorized sequels by John Eric Holmes, and all credit for that goes to Win Eckert. (Okay, perhaps a little bit of credit should also go to Mike Grell, whose hidden world of Skartaris in DC Comics’ The Warlord was my first and most beloved exposure to the “hollow Earth” concept and which was clearly inspired by Pellucidar.)

Tarzan: Battle for Pellucidar is also as fast-paced as one would expect from a Burroughs novel. There’s a bit of slow set-up in the first few chapters as Eckert moves all of his chess pieces into place, but after that the action is pretty much non-stop. As with Burroughs, Eckert expresses characterization as much through action as through internal monologue. I read the second half of the book in one sitting. Burroughs wrote several books in which Tarzan and Korak fight in World War One, so it’s a natural extension of the brand that a still fighting-fit Lord John Clayton and his family members would be tapped to help protect England from the Nazi menace of the Second World War. Especially when the Nazis are on the verge of discovering Pellucidar and the mind-controlling abilities of the native Mahars.

Much has been made of the “Swords of Eternity” super-arc introducing a new lead character, Victory Harben, into the ERBU. In Tarzan: Battle for Pellucidar, we get to see Victory at a much younger age and see the experience that transforms her life and brings her under the care of Tarzan and Jane in England. But Victory isn’t the only “next generation” character being added to Burroughs’ family trees. In Tarzan: Battle for Pellucidar, Eckert introduces us to Suzanne Clayton (Tarzan’s grand-daughter, the second child of Tarzan’s son Korak and daughter-in-law Meriem) and to Janson Gridley (son of Jason Gridley and Pellucidarian native Jana). Suzanne follows closely in her father’s and grandfather’s footsteps, plunging into adventure without so much as a backwards glance, equally at home in the jungle as in a city. Janson doesn’t see much action but I loved the almost-sibling interplay between him and Victory (who is Jason Gridley’s god-daughter). I hope that as the new ERBU progresses, we’ll see more of both of these younger characters alongside Victory and Korak and Meriem’s son Jackie Clayton. While it has been well-established by Burroughs himself that Tarzan and his immediate family are very long-lived and essentially immortal (something the Jungle Lord ruminates about a lot in this book, which takes place during World War II), injecting new characters into the ERBU also follows Burroughs’ own tradition.

The main novel is followed by a bonus novelette, “Clash on Caspak,” which connects the current super-arc to yet another of Burroughs’ original on-going series: “The Land That Time Forgot.” I’ve never read the Caspak books, although I remember the movies based on them. Mike Wolfer does a great job relaying what makes Caspak similar to and yet unique from Pellucidar through Victory Harben’s eyes. The novelette advances Victory’s storyline that started in Christopher Paul Carey’s novelette “Dark Heart of the Sun,” giving us more hints about why Victory is being bounced through time and space and what role her mysterious tattoo might play. As I may have mentioned, I find Victory an intriguing character and can’t wait for her to star in her own novel (titled Fires of Halos and due out sometime in 2021, I believe).