TOP TEN(ISH) MOMENTS FROM PULPFEST 2025

PulpFest 2025 is officially in the books. Which means so are FarmerCon XX, ERBFest 2025, and DocCon 2025. I had a phenomenal time hanging out with old friends, making new friends, spending too much money, staying up too late, and driving to/from Cranberry PA … but it was all worth it. There were way more than 10 Top Moments of the Con(s), but here are a bunch of them:

 

BEING MISTAKEN FOR WIN ECKERT’S BROTHER

Win and I have known each other a good few years now. But this is the first time anyone seeing us next to each other has sincerely asked “are you guys brothers?” (In this case, our waitress at Primanti Brothers during our Wednesday night Pre-Con dinner). I, for one, took the question as a compliment. Check out my interviews with Win HERE and HERE to get a sense of why I consider it a compliment.

“Twins” Anthony R. Cardno and Win Scott Eckert

 

BEING A (SMALL) PART OF THE RETURN OF DOCCON

DocCon (the convention dedicated to all things related to Doc Savage) has a venerable history but has taken a few years off … until Jen DiGiacomo had the idea to revive it as the latest “mini-con” to happen under the PulpFest banner. I was a (very small) part of the planning committee (being perhaps the Least Knowledgeable Doc Savage Fan Ever), my main contribution being a marketing idea (that didn’t happen for this year but may be considered for 2026, so I don’t want to spoil it) and then being the “sub-in” guy at the DocCon tables when the other folks, mainly Ron Hill (who I interviewed HERE), needed to be on panels or introducing the film.

DocCon crew, L to R: Anthony R. Cardno, Anthony Rais, Bill Lampkin, Ron Hill, Scott Cranford

 

THE EDGAR RICE BURROUGHS INC PANEL

Okay, most of what Cathy Mann Willbanks (ERB Inc’s Vice President of Operations) and Christopher Paul Carey (Vice President of Publishing) announced on this panel had already been announced at San Diego Comic Con … but that didn’t stop me from being excited to hear the details in person. They announced upcoming novels (the next ERB Universe novel from the aforementioned Win Scott Eckert; a new Barsoom novel from Chris L. Adams under the “Wild Adventures” banner; new ERBU novels in the Land That Time Forgot and Monster Men series); a new John Carter and Woola action figure set from Frazetta Girls; and several new animation projects including a Victory Harben ERBU animated series in development! (My Interviews with Christopher Paul Carey HERE and HERE.)

Most of the ERB Inc panel. L to R: Christopher Paul Carey, Henry G. Franke III, Win Scott Eckert, Chris L. Adams, Douglas Klauba. Missing because my phone is a jerk: Cathy Wilbanks. SORRY, Cathy!

 

THE WICKER MAN

During a conversation with Craig McDonald during which I bought his used copy of the novelization of The Wicker Man, I discovered that not only is there a novelization of the film … the film was also based on a long out-of-print novel called Ritual by David Pinner (and that novel has a sequel, The Wicca Woman)! How out of print is it? So out of print that there’s no English language paperback edition (only a Spanish language version) and the original hardcover is going for over $1,000 on the secondary market. But there IS a reasonably priced e-book version of both of Pinner’s books. Which you know I’ve already ordered. (Interview with Craig McDonald HERE).

L to R: The copy of The Wicker Man novelization I bought from Craig McDonald, the cover to the e-book of Ritual, the cover to the e-book of Wicca Woman.

 

FLINCH-FEST

To say that I think highly of Jim Beard and John C. Bruening, co-founders of Flinch! Books, is an understatement. (And no, it’s not just because Jim included my essay on Jack Kirby’s short-lived 1970s DC Comics series The Sandman in his book Jack of All Comics! a few months ago. But why pass up a chance at a shameless plug? Also, HERE’s the Interview about the book with Jim.) Flinch! started ten years ago, and their panel at PulpFest talked a little about that history and featured reading from their new and upcoming releases (Jim’s fourth Sgt. Janus book, and John’s upcoming fourth Midnight Guardian book). These two have such an easy, funny, rapport. They are also great dinner companions and conversationalists. I also probably spent way too much time chatting with them at their table and lost them a few sales. (Kidding.)

L to R: Flinch! Books co-founders John C. Bruening and Jim Beard.

 

CHRISTOPHER LEE

During that conversation with Craig McDonald about The Wicker Man, our friend Kim Turk mentioned having seen some anthologies with Christopher Lee’s name on the cover as Editor, and I went to check out them out. Kim patiently waited for me to notice the real prize she’d already seen … a hardcover copy of Lee’s memoir … signed by the man himself! Reader, you know I bought it immediately.

 

MARK WHEATLEY AND DOUG KLAUBA

It is incredibly fun to sit in a room and watch two amazing artists, both of whom have drawn Tarzan and other Edgar Rice Burroughs characters, talk about all the great artists who have drawn the Lord of The Jungle over the years, including what they admire about those artists’ work. (Click on their names to find my interviews with Mark Wheatley and Doug Klauba.)

L to R: Mark Wheatley, Douglas Klauba

 

DOC SAVAGE, THE JLA, AND THE JSA

Did I mention that I spent too much money? I’m not going to post pictures of every book, magazine, and print I bought … but along with the Christopher Lee book, the other Most Pricey purchases including six original Doc Savage pulps (I’ll post 1 or 2 of their covers below) and four Silver Age Justice League issues featuring the annual crossovers with the Justice Society. (I was also eye-ing a Golden Age issue of The Black Knight, but it was way outside my price range.)

 

FARMERCON DINNER AND LOBBY HANGOUTS/CHATTING AT DEALER AND AUTHOR TABLES

The reason I started attending this convention was to meet in person my fellow Philip Jose Farmer fan friends, who had been so welcoming to me in various online forums, and hanging out with them at dinner(s) and in the lobby after even programming ends is always one of, if not THE, highlight of the weekend. It was no different this time, even though our numbers were slightly smaller than usual thanks to scheduling conflicts and other things. There is such a big overlap between PJF, ERB, and Doc Savage fans at this convention that most of the people I’ve mentioned above, and many I haven’t, were present at all times. And visiting with authors like Glen Held, Brian K. Morris and Charles F. Millhouse and artists like Don Simpson and folks like Henry Franke of the Burroughs Bibliophiles at their tables is always fun as well. (Interviews with Glen, Henry, Brian and Charles at the links; interview with Don coming soon!)

L to R: Anthony R. Cardno, Brian K. Morris, Charles F. Millhouse (The “Middle Initial Squad”)

For those interested, my report on PulpFest 2024 can be found HERE. And my interview with Mike Chomko of the PulpFest committee can be found HERE.

Interview: CHARLES F. MILLHOUSE

Today I chat with writer Charles F. Millhouse. Charles is the author of more than thirty books in the Science Fiction/Fantasy/New Pulp genres. A storyteller/dreamer since childhood, Charles published his first book in 1999, and he hasn’t looked back. A pioneer in Independent Publishing, he patiently waited for technology to catch up with his visions and with the advent of Print on Demand and the eBook craze, Charles created Stormgate Press in 2006 to further his publishing endeavors.

 

Hi Charles! Thanks for taking some time to chat with me.

It’s my pleasure, thank you for asking me to participate.

You write across a variety of genres. What were some of your earliest influences in science fiction, fantasy, adventure, pulp, etc.?

My earliest influence in science fiction of course, for many people my age was Star Trek. I immersed myself in anything I could when it came to the final frontier. Of course, for my generation, TV was like a best friend and there was a lot of science fiction throughout the 1970s into the early 80s. And by the time I hit my teens I started to read a lot more, The first book I remember reading was Ringworld, by Larry Niven. But when I encountered DUNE when I was in high school, everything changed for me, including how and what science fiction I gravitated to.

From science fiction I found myself reading a lot of fantasy books, one of my favorites then and still now, is Elric of Melniboné and of course Conan, by Robert E. Howard (Great stuff!)

After I saw Raiders of the Lost Ark in 1981, my dad introduced me to the world of pulp. The Shadow, Zorro, the Spider, on and on. In the 1980’s you could find a lot of pulp in boxes under tables at comic shops I went to. The owner sold them to me cheap, and I didn’t turn down a deal. I discovered a lot of serials around that time, The Phantom Empire with Gene Autry my favorite.

Your longest-running series features a golden age / pulp adventure named Captain Hawklin. Can you tell us a bit about the genesis of the character and how the series has developed?

I first created Captain Hawklin in the early 1990s but then he was named Captain Thunder, but a friend of mine made me realize that that name was overused and could eventually get me sued lol, if I decided to publish it. It was his suggestion that I changed the name, and he threw out, “Just call him Hawklin, or something like that.” Originally, he was set in the early 1960s and an astronaut who ran a secret organization that had been travelling to other planets since the 1950s. From there he evolved into a 1930s pulp character. (I’m not sure why. I think it could have possibly been that I had an idea for a 30’s story, and that’s why he manifested into that.) I only intended on writing one book just to fulfill my need to write a pulp character. So, I wrote The Skyhook Pirates in 2004, And after I wrote the first couple chapters I saw the trailer for Sky Captain and the World of Tomorrow, and it kind of mirrored my work in progress. So, I held off writing the book until after I saw the movie thinking that—if it was a lot like what I had written I would change the story completely. I'm happy to say that even though there were some similarities I felt there was enough difference between the two characters. And sadly, Sky Captain never manifested into a series.

After I published the first book in 2012, I discovered there was this new movement called “New Pulp” and there were other people writing their own versions of pulp type characters. Skyhook Pirates sold really well, to my surprise, and I decided to write a second one. I'm happy to say that he has gotten a bit of a following over the years and the evolution of the character has really taken root not only by me, but from other pulp writers who have written the character, adding to his already growing vast history.

 I think the first of your books that I read was the first Serena Darkwood science fiction adventure. I hear you’re working now on the third book in the series. How’s that going?

Thank you for reading Absolution. Serena doesn’t get the love that Captain Hawklin does. When I first wanted to be a published writer, I thought I would be a science fiction author, but as fate would have it, I became more of a pulp writer. Which I have embraced. But my love for science fiction is still in my heart. I'm currently outlining the third book for Serena Darkwood called “Capital” this will move the story forward immensely and will really put her in the middle of some galaxy changing events. Readers can look for “Capital” to release in the first quarter of 2026.

I’m always interested in hearing about a person’s creative process. Tell us a bit about how you develop a story. Does your process differ from genre to genre? Does it differ at all when you’re working on a short story versus a novel?

First, and I think this goes for most writers, I come up with the idea for a story. Most of my ideas come from driving in the car, and pitching them to my wife, who is great at helping me flush out ideas. Sometimes it's just a premise, other times it's a character and the story revolves around that character.

Sometimes the story begins one way and ends up totally different. My idea for my supernatural western trilogy “New Kingdom” started out as a mining colony in space and then took a sharp right turn to the Old West.

I scribble my ideas on index cards and keep them taped above my head when I'm writing.

I do this for novels and short stories. I write more from the seat of my pants than I do from an outline. My outlines generally are just a description of the characters and if I think of something that I really want to say in the story I'll jot it down on an index card.

I consider my first draft my outline, and from that outline I sculpt it into its final version. I always write my first draft at my desk. Working on the second draft and editing I tend to do on my iPad at work during breaks.

Speaking of short stories: I am intrigued by and loving your Stormgate Press Quick Reads series, which feels like it is meant to cover ALL THE GENRES! What inspired you to create this line and give it such diversity in content and tone?

I have to give credit where credit is due, and the idea for the Quick Read Books came from my wife. (The actual name Quick Read Books came from my cover designer Jeffrey Hayes.)

I have a banner that I sit up at my shows and on that banner are several characters that I created that had appeared only in the “Pulp Reality” series, and I had a lot of people at a show we were at in 2024 ask about characters like the “Purple Mystique” and “Night Vision.”

I knew I would never have time to write full-fledged novels with those characters, and it was my wife's idea to publish a series of short stories around 10,000 words and offer them on my table for $5, this would give patrons a chance to read my work who might not spend $10 or $15.00 for a novel and allow them the opportunity to see how I write. I’m happy to say it’s been a huge success.

I intend on keeping the series primarily on pulp style characters and manifesting them into the Captain Hawklin universe. Given time I will even work my barbarian character into that universe.

Finally, what do you have coming up that readers should keep an eye out for? And where will you be appearing in the near future?

I just released “Evolution Man Year Three” back in June of this year, I had great fun writing that book and the series is quickly becoming a favorite for returning readers.

On August 12th the third book in “The Lost Adventures of Captain Hawklin” will be available on Amazon, and its eBook will be available on several platforms. It is my intention to have copies exclusively on my table at PulpFest in August.

Readers can keep an eye out for more Quick Read Books; I'm currently writing another “Purple Mystique” story that will end this current wave of Quick Reads.

Also, for the Captain Hawklin fans who may be reading this interview, I am writing a new series of short stories set in the 1930s that are being released exclusively on my Patreon page.

My upcoming appearances:

On August 7th – 10th you can find me in Mars PA at PulpFest

For a complete list of my appearance, you can visit www.stormgatepress.com.

 

Thanks again for chatting, Charles! See you at Pulpfest!

 

Readers, it is not too late to register for and attend Pulpfest 2025 (THE pulp magazine-focused convention in the Northeast) and the other three conventions it hosts: FarmerCon (dedicated to the works of Philip Jose Farmer), ERBFest (dedicated to the works of Edgar Rice Burroughs) and DocCon (dedicated to all things Doc Savage related). Check out the Pulpfest website for registration and hotel information!