TITLE: Flowers for the Sea
AUTHOR: Zin E. Rocklyn
112 pages, TorDotCom Publishing, ISBN 9781250804037 (paperback, also available in e-book and audio)
DESCRIPTION: (from the publisher): We are a people who do not forget.
Survivors from a flooded kingdom struggle alone on an ark. Resources are scant, and ravenous beasts circle. Their fangs are sharp.
Among the refugees is Iraxi: ostracized, despised, and a commoner who refused a prince, she’s pregnant with a child that might be more than human. Her fate may be darker and more powerful than she can imagine.
MY RATING: 4 out of 5 stars
MY THOUGHTS: Zin E. Rocklyn’s debut is a stellar entry into the cosmic horror genre, a novella that leaves you unsettled and feeling small in the face of the universe even while you admire the tenacity of the main character.
Cosmic (or “Lovecraftian”) horror tends to be expansive and claustrophobic at the same time. The greater cosmos makes itself known to humans who are overwhelmed by it, usually in places that are tight and dark with odd architecture or geometry at play. Setting the action on a boat alone at sea certainly ticks those boxes off but limiting most of the action to the few places on the vessel that the outcast, disdained Iraxi is allowed to visit makes the book feel even more claustrophobic. There is no sense of a larger, supportive community that might normally feature in a lost-at-sea adventure. The desperation of 1743 days at sea, with no land in sight, is palpable. Rocklyn infuses the book with so many visceral sensory details: the sweat and grime on Iraxi and the people she interacts with, the pervasive salt water, the smells of food and humans. Most notably, there are the physical details of Iraxi giving birth to her possibly inhuman (or more than human) child: bloody, painful, brutal – words which also describe the novel’s one detailed sex scene.
It is implied that Iraxi has been pregnant for most of the voyage, or at least far longer than would be natural. While other women have died, or have survived with the baby dying instead, she has labored on waiting to deliver this child. The rest of the denizens of the ship’s society know something is not right, but not what. Iraxi does as well, and throughout the book she explores her past, analyzing what led her here. She knows what her decisions have cost her and those she loves, but she is also resolutely not ashamed to be who she is regardless of how the people around her (including current and former lovers) think.
At times the novella feels post-apocalyptic, at times like a completely separate fantasy world. Massive flooding (rising sea levels?) forced these people into their current situation, and it’s clear they are the poor, the unwanted, the exiled (in Iraxi’s case); they are cast out by soldiers of the prince Iraxi denied. This also, to me, makes the book feel a bit like a slave ship narrative. While there are no richer (whiter?) overseers on the ship, no destination in sight at which the human cargo will be sold, there is also no sense that signing onto the trip was really voluntary, that those on the ship might find a safe harbor to land in.
And then of course, there’s the cosmic horrors that eventually manifest, deadly and disturbing. I won’t spoil anything about their arrival and effect on the characters, but they are nightmare-inducing.
Flowers for the Sea is a truly stellar debut for a writer I cannot wait to read more from.
NOTE: I received an advance reading copy from TorDotCom Publishing via NetGalley well in advance of the book’s publication date in exchange for an honest review. This review is obviously long overdue.